Visual kei

The artists wear makeup, have elaborate hairstyles and costumes, usually coupled with androgynous aesthetics.

Contenidos mover a la barra lateral ocultar. Leer Editar Ver historial. Herramientas Herramientas. En otros proyectos. Wikimedia Commons Wikinoticias. Archivado desde el original el 12 de noviembre de

Visual kei

Visual kei originated in the late 80s, but was heavily influenced by early 80s Japanese Goth rock and Post-Punk bands in its visuals particularly bands like Auto-Mod, Madame Edwarda, Phaidia, and Die Zibet. Going even further back, the Japanese Post-Punk bands were musically and aesthetically influenced by members of particularly theatrical Goth and neo-Glam bands, like Japan, Hanoi Rocks. The results of this conglomeration of influences include very flamboyant and big hair, heavy makeup, and elaborate costumes of varying styles. Determining whether a band is visual kei or not is generally rather easy - it can be as simple as looking at images of the band, and either the fans or the artists themselves will be sure to let you know if they are, as it's generally a conscious choice to be a part of the scene. As it is primarily a visual style, it's impossible to pin down visual kei by hearing alone, and to dismiss a band as "not visual kei" based on their sound is unwise, as the music can range from J-pop to extreme metal to electronic dance music. A subgenre of visual kei that deals with the topic of macabre fetishism in both its visuals and lyrics. Caligari is considered the pioneer of the genre. Bands that utilize hospital and medical themes as part of their songs, often in a sort of horror theme. A label given to the earliest visual kei bands that shaped the genre. There is no defining trait beyond being many of the iconic bands that came to be in to s. There is an overall less polished look and a wide range of styles is worn.

Putting on the Reich : Unfortunately common in early Visual Shock and in some other bands, though becoming less so over time as bands tour in countries where No Swastikas has the force of law, get negative feedback for Nazi-themed costuming from fans, visual kei, and as some educate themselves. Still in use visual kei Oshare bands, for similar reasons of marketability.

Or, perhaps, even an unexpected run-in with a niche Japanese rock band at a music festival. For myself and many others, a niche within Japanese rock called v isual kei in which kei means style was the initial force that drew us toward Japanese culture and later directly into Japan, all over the country, into concert halls large and small. Characterized by visual appearances just as much as music, visual kei is a hallmark of Japanese culture. It blends fashion, bold lyrics and themes, and musical styles seamlessly into a genre that you can truly only find in Japan. While never becoming mainstream, the genre gained popularity steadily in the 80s and 90s.

The glories, the tragedies and how these glammed-up rockers have kept their fans coming back for more. Picture the scene: the bass player is dressed in a silver crop top and hot pants paired with thigh-high, heeled boots. The guitarist plays a wild shredding solo in a Marie Antoinette-style ball gown complete with wig and feathers. The singer winks a fake eyelashed eye from behind wisps of striking white hair before launching into death shrieks and erotic moans. Every weekend, at venues across Shinjuku, Shibuya and Ikebukuro, bands like this entertain a giddy crowd of almost entirely female fans who express their adoration through furious, synchronised arm movements and co-ordinated hair thrashing. This, oh wide eyed reader, is the intriguing world of visual kei. Notorious for their gravity-defying hairstyles, flamboyant clothes and outrageous make-up — which could be interpreted as both warrior-like and hyper-feminine — they predictably shocked parents whilst enthralling teenagers across the nation. They kickstarted a movement that saw musicians exploring the boundaries of excess, explicitness and androgyny while providing a unique take on Western music styles. Although the music is generally described as heavy rock or metal including everything from punk to power metal, and later nu-metal, hip-hop, electro and pop , visual kei actually spans a vast array of genres and continues to evolve. A better defining factor is, perhaps, the aesthetics.

Visual kei

Popular bands including X Japan, Buck-Tick , and Dead End are credited with being the early pioneers of the distinctive style. Visual Kei, with its many substyles, is the product of all of these influences combined. It is a style most often characterized by androgynous outfits, over-the-top hairstyles, and dramatic makeup for both women and men. Global awareness of Visual Kei has spread primarily through the ever-increasing popularity of Japanese anime, and its biggest communities around the world are in the United States, Russia, Brazil, Germany, and Poland. With no real style rules to follow and not many shops catering specifically to this genre, the only limitation is your imagination.

Lauren racine wood feet

All Part of the Show : During live performance, Visual Kei bands generally try to keep the show going at almost any cost, especially in Japan, because they must pay to play every show. Otomen has characters that are part of a Visual Kei band called "fra-fra. Fort Worth Weekly. In the Western fandom, there are the usually LiveJournal based, but they're possible anywhere that allows anonymous commenting on a post "hate memes" which consist of anonymous commenters many of whom are actually sockpuppets of each other trashing people they hate. Problems playing these files? Determining whether a band is visual kei or not is generally rather easy - it can be as simple as looking at images of the band, and either the fans or the artists themselves will be sure to let you know if they are, as it's generally a conscious choice to be a part of the scene. To name any specific artist would start a Flame War , because there's more than one. Despite the highly feminine appearance of many VK musicians, the majority of band members, as with other rock genres, are male. Japanese popular culture Japanese street fashion. In and , Buck-Tick and X Japan started to gain mainstream success that continues to present-day. Even in The New '10s , it's a Reconstruction : gay or male-preferring bi men who wish to remain closeted can pass as simply doing fanservice for Yaoi Fangirls , while those who wish to be out can be out with relatively few problems from anyone. Sources have variously referred to visual kei as a movement , [72] scene , [72] subculture [36] and music genre. For visual kei bands, outrageous, usually androgynous looks — gobs of makeup, hair dyed and sprayed in ways that made Mohawks look conservative and a small fortune spent on leather and jewellery — were as important as music or, in many cases after X, more important than music. Some good examples of this are nearly every band featuring Taiji Sawada after Loudness , and any band featuring Kisaki , and the failures of S. Fanservice : Pretty much the stock in trade of Visual Kei.

Visual Kei, or Visual Style, is an artistic movement among Japanese musicians that is characterised by the use of make-up, elaborate hair styles and flamboyant costumes, often, but not always, coupled with androgynous aesthetics , in the style of David Bowie.

The Corruption : Methamphetamine. Retrieved 19 July They kickstarted a movement that saw musicians exploring the boundaries of excess, explicitness and androgyny while providing a unique take on Western music styles. Visual kei cosplayers have gained some popularity for their meticulous attention to replicating the image of their favorite artists, often resulting in surprisingly accurate cosplays, as well as their very active participation during conventions and live performances Commonly imitated bands among cosplayers are Versailles, early Dir en Grey, MALICE MIZER, Kagrra, Phantasmagoria and The GazettE. Retrieved 16 April New genres. Averted by Eroguro bands, which generally are far more direct with sexual and violent imagery and lyrics. Yoshiki of X Japan during his "princess" phase was probably the premiere example who wasn't Lolita Kei but set the example for many who followed. C or [SuG], some of the early works of Miyavi would qualify, though he was always on the fringes. In other projects. But not anymore, ha ha. Every band has a fairly large and sometimes strange range of branded merch. In , X Japan tried to launch an attempt to enter the American market, even signing with Atlantic Records for a US album, but this ultimately did not happen. Herramientas Herramientas. Above: Oshare kei band Sug The scene continued to diversify throughout the s with wider musical crossovers and a constant push for visual innovation.