Mexican folk masks

When one puts on a mask, he takes on the persona of the mask, mexican folk masks. Ceremonial masks have been used in dances in Mexico and Guatemala for thousands of mexican folk masks. Before the Spanish Conquest, masks depicted the animal spirits and gods of the indigenous peoples. The Spanish priests taught Roman Catholicism to the natives using medieval Mystery and Miracle Plays and introduced new masks for these performances.

For the pre-Hispanic Cultures, the masks served to conceal the soul, appearance, and personality, of the mask wearer and transformed the wearer into a mystical state in a way to communicate with the supernatural to influence the powerful forces in nature. However, masks shouldn't be view in isolation. For their role to be understood, they need to be studied in context. The dances which use masks must be studied and analyzed to understand the significance of the mask. Historic dances served as a function to tell future generations of important events that impacted the villages and keep the memory of those events alive. The Danza de los Tecuanes portrays the legend where a wild, man-eating beast stalks and kills a series of domestic animals with a whip.

Mexican folk masks

Among the most vivid, dark, and uncannily beautiful styles of Mexican Art are the dance masks. Masks of this style developed when evangelizers in Mexico co-opted the ancient ritualistic use of masks to spread Christianity with allegorical plays and songs. Dances evolved from the dramas, most famously the Christians fighting the Moors, and became popular across Mexico. Beautiful authentic Moor mask from early 60s worn in the traditional dance of the Moors and Christians.. Carved from a hardwood with glass eyes. This windblower is said to scare away the evil spirits when hung above a doorway. Made in Guerrero by C. Close menu. Home Shop. Oaxacan Carvings. Day of the Dead.

Mexican Masks. However, the most common fantastic masks are those which depict the devils, demons and Satan himself. If the mask has a tongue, it is often of leather or tin.

Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred. In the early colonial period, evangelists took advantage of native customs of dance and mask to teach the Catholic faith although later, colonial authorities tried to ban both unsuccessfully. After Mexican Independence , mask and dance traditions showed a syncretism and mask traditions have continued to evolve into new forms, depicting Mexico's history and newer forms of popular culture such as lucha libre. Masks commonly depict Europeans Spanish, French, etc.

The collection contains three boxes of manuscript and galley proofs, 88 photographic prints, and slides. Donald Cordry's publication, Mexican Masks, published by the University of Texas Press in , was based upon the collection. Cordry studied at the Minneapolis Institute of Art, and later earned a reputation as an expert on puppets, which he both created and collected. He began collecting artifacts and information documenting Mexican Indian arts and crafts in , on a trip to Mexico. He formed professional associations with the Heye Foundation now the Museum of the American Indian , which sponsored further trips, and with the Southwest Museum in Los Angeles, California. In Cordry traveled to Oaxaca, Mexico, and in founded a crafts workshop there to finance his expeditions to collect and record ethnographic data. He later relocated to Mixcoac, in Mexico City, and Cuernavaca, but kept his home in Mexico and pursued the documentation of its arts and crafts until his death. Scope and Contents Note Manuscript, galley proofs, photographs, and slides relating to the publication of Cordry's book, Mexican Masks, the result of his work to preserve and record Mexican masks and their significance. The original, edited manuscript comprises typed pages and is accompanied by galley proofs. Photographic material, made up of 88 black and white photographs dating from to , color slides, and two negatives, depicts ceremonial Mexican folk masks, mask makers, and people wearing the masks.

Mexican folk masks

Already a subscriber? Log in to hide ads. Bill LeVasseur has collected hundreds of Mexican masks from remote villages that now hang on the walls of his museum in San Miguel de Allende. He's singlehandedly preserving a piece of Mexican culture that few realize is still thriving today.

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Vintage White Moor Mask. However, dancers with masks of an old man can also have a comic function, as a kind of side show to the main event, performing singly or in pairs. Rojas, state of Guerrero. Vintage Tastoanes Mask. For the pre-Hispanic Cultures, the masks served to conceal the soul, appearance, and personality, of the mask wearer and transformed the wearer into a mystical state in a way to communicate with the supernatural to influence the powerful forces in nature. Since women almost never participate in traditional dances, scenes that involve female characters are played by young men wearing masks. In the dance, there are usually eight dancers masked as a domestic animal- like a pig, goat, donkey, rabbit, bull, rooster, and so on. In addition to masks depicting humans and animals, other masks deal with the fantastic, abstract and supernatural. Mask making is a part of Mexican ritual life that pre-dates the arrival of the Spanish. It is made of fabric and envelops the head as well as the face, with plastic reinforcement around the eyes and mouth. These themes originated in Pre-Hispanic times when masks were buried with the dead, suggesting they had a transformational function and meaning. European characters appear in pastorelas or Christmas plays, common in central Mexico.

Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred. In the early colonial period, evangelists took advantage of native customs of dance and mask to teach the Catholic faith although later, colonial authorities tried to ban both unsuccessfully.

After Mexican Independence , mask and dance traditions showed a syncretism and mask traditions have continued to evolve into new forms, depicting Mexico's history and newer forms of popular culture such as lucha libre. This role of an old man as a clown dates back to before the Conquest. For the pre-Hispanic Cultures, the masks served to conceal the soul, appearance, and personality, of the mask wearer and transformed the wearer into a mystical state in a way to communicate with the supernatural to influence the powerful forces in nature. On Holy Wednesday the masks are worn this way. In Guerrero, Puebla and Veracruz, where the depiction is more comical, the masks tend to have glossier skin tones. Sold Out. Another area with a high demand for masks is Chiapa de Corzo , for the Parachicos dance performed for the feast of Saint Sebastian by thousands of dancers. Some ancient masks made of stone or fired clay have survived to the present. Museum From Home. However, the most common fantastic masks are those which depict the devils, demons and Satan himself. However, most were made of degradable materials such as wood, amate paper, cloth and feathers. These colors are also applied to devil masks.