Jat embroidery

Dhanetah Jat women design and produce exquisite, labour-intensive embroidery. The power of Jat embroidery comes largely from the closely stitched patterns that completely cover the cloth. Each embroidery is a unique expression of the woman who made it, jat embroidery.

Kutch Embroideries: Detail of an embroidery panel showing different styles of embroidery Dastkari Haat Samiti. Many private collectors of antique textiles and museums acquired a large quantity of embroideries from Kutch during the last decades of the 20th century. By the beginning of the 21st century, progress and development had brought realization of the value of the embroideries of this region. Lovingly made for personal use, some had remained in the possession of their creators. Today, they serve as reference pieces for new work. The old work indicates designs, patterns, motifs and stitches that point clearly to the identity of the community to which the embroiderer belongs.

Jat embroidery

In the Gujarat state of India, the Kutch region is renowned for its fine folk, colourful and mirrored embroideries. Traditionally stitched by village women, for themselves and their families, to create festivity, honor deities, or generate wealth, this craft has passed on for generations from mother to daughter. While embroideries contributed to the substantial economic exchange required for marriage and fulfilled other social obligations which required gifts - unlike most crafts they were never commercial products. Each community in Kutch , due to historical, socio-economic and cultural factors, has a distinct tradition, its own and unique style of embroidery, different motifs, combination of stitches, patterns and colours that give them a visual identity. The identity of every Kutchi person is woven in the stitches of these embroideries. Things seen in daily lives: flowers and bushes, peacocks and camels, women doing household chores and men tending to cattle, all these are inspirations for these beautiful designs. Trying to respond to the current trends, the traditional styles have evolved over time though. Some communities have lived in Kutch for centuries, others have migrated to the region bringing distinct embroidery skills, from regions beyond the Northwest frontier with Pakistan. Today, in Kutch there are more than 17 distinct types of embroideries , being the most recognized ones the Sindh-Kutch regional styles of Suf , Khaarek and Paako ; and the ethnic styles of Rabari , Jat and Mutwa :. Suf is a painstaking embroidery based on the triangle , called a " Suf.

In Maiwa staged an exhibition of Kachchh embroidery.

Kachchh Embroidery. See Kachchh Embroidery. In Maiwa staged an exhibition of Kachchh embroidery. Read about that exhibition here. Below, meet some of the communities Maiwa works with:. Rabari are expert camel breeders, cattle herders and shepards. Over time as a community grew too large for the environment to sustain, they would divide and a subgroup would migrate to a new region.

It is rightly said that Gujarat has given India the greatest heritage in embroidery work and craft through its famous and versatile Kutch embroidery. The hub of the Kutch embroidery work is basically located in the regions of Kutch and Saurashtra wherein the local artisans churn out the most creative and exquisite designs. From mirror and bead work to Abhala embroidery along with the usage of silk threads of bright colors, the Kutch embroidery basically ornate the entire fabric and embellishes it completely. The impeccable designs of Kutch embroidery is a tribute to Rabaris, a nomadic tribe that crafted the art of Kutch embroidery which is now an artwork of international repute. Kutch embroidery has been there for centuries and in the 16th and 17th centuries Kutch embroidery pieces were exported by western countries. It is also believed that mochis or shoemakers were taught Kutch embroidery years ago by a Muslim wanderer in Sindh and that is what started the tradition. Using the Heer Bharat as a mirror is easily fixed in the center that adds more beauty to the embroidery work. This embroidery is also influenced by romantic motifs as well as patterns of human figurines in dancing poses and dancing peacocks too. A lot of motifs are also inspired by Persian and Mughal arts that are inspired by animals. Delicate beadwork is also incorporated with great finesse.

Jat embroidery

Kutch Embroideries: Detail of an embroidery panel showing different styles of embroidery Dastkari Haat Samiti. Many private collectors of antique textiles and museums acquired a large quantity of embroideries from Kutch during the last decades of the 20th century. By the beginning of the 21st century, progress and development had brought realization of the value of the embroideries of this region. Lovingly made for personal use, some had remained in the possession of their creators. Today, they serve as reference pieces for new work. The old work indicates designs, patterns, motifs and stitches that point clearly to the identity of the community to which the embroiderer belongs. There was no attempt at story-telling as in embroideries found in some other parts of India. However, in recent times, certain communities have begun to expand their narrative and depict stories of life and situations around them.

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All trace their ancestry back to the mythical Sambal, created by Lord Shiva to look after the camels. The panel made for an exhibition called Living Lightly depicts the wetlands of Chaari Dand where herders bring their camels during the breeding season every year. Maiwa works with Dhebaria and Kachchh Rabari. A Suf artisan displays virtuosity in detailing, filling symmetrical patterns with tiny triangles, and accent stitches. Six years ago, two Jat villages joined KMVS and found a co-operative organization in which they learned the value of their outstanding work and how to market it. Suf is a painstaking embroidery based on the triangle , called a " Suf. This embroidery piece is one of a kind. Although most often associated with Muslims, some Hindu communities also practice purdah. The exclusive Mutwa style comprises minute renditions of local styles : Paako , Khaarek , Haramji and Jat work, though these are known by different names. Control over the movement of women in public has led to various ironic role reversals, such as men fetching water for the women from the village well. Embroidery is an integral part of Rabari life. The interaction between them has produced a remarkable fusion of cultural traits. Maiwa works with embroiderers through many co-operative structures within India.

The Kutch Embroidery is a handicraft and textile signature art tradition of the tribal community of Kutch District in Gujarat , India. In certain patterns, it is also crafted over silk and satin. The signature effect of the colorful embroidery sparkles when small mirrors called abhla are sewn over the geometrically shaped designs.

The old work indicates designs, patterns, motifs and stitches that point clearly to the identity of the community to which the embroiderer belongs. Rabari Rabari embroidery is unique to the nomadic Rabaris. Women embellish their Environment. Under these conditions they create the exquisite embroidery with tin mirrors and minuscule stitches that distinguishes them from other communities. Six years ago, two Jat villages joined KMVS and found a co-operative organization in which they learned the value of their outstanding work and how to market it. The power of Jat embroidery comes largely from the closely stitched patterns that completely cover the cloth. Jat women design and produce exquisite, labour-intensive embroidery. Sodhas are one of several sub-groups of the larger Hindu Rajput community and retain strong links with Sindh through intermarriages. Using historic pieces from the Maiwa collection, the pieces receive only minor changes to make them irresistible to a modern audience. They began selling their embroidery only fifteen years ago in order to survive droughts. Rather, this embroidery is done among other family tasks, or while visiting in groups with other embroiderers. Fiercely patriarchal customs and traditions characterize this traditional protector-warrior community. They were cowherds who have now assimilated into urban society in Kutch, although many women continue to take pride in their embroidery. All trace their ancestry back to the mythical Sambal, created by Lord Shiva to look after the camels.