Vintage harmony electric guitar

Vanessa Wheeler explores the tonal range of the Jupiter Thinline in our signature Space Black and gives us her first impressions, vintage harmony electric guitar. Pay close attention to how Curt Chambers and his Harmony Comet turn even the most ordinary chords into unforgettable tunes — that's the magic and timeless appeal that this instrument brings to anyone who plays it.

The full-line catalog contained a wide variety of musical instruments: acoustic guitars, electric guitars, amplifiers, banjos, ukuleles and mandolin - across 28 full-colour pages. Dimensions 12" x 9". It was broadly similar in content to the previous years version, but it was the last to include the Stratotone models: H45, H46, H47 and H Need the value of your guitar? Contact info vintageguitarandbass. Dan Armstrong. I'm happy with this This website uses cookies to personalise content and adverts, to provide social media features, and to analyse traffic.

Vintage harmony electric guitar

American guitar manufacture was at its peak in the s, with numerous highly-respected guitar companies making instruments at all levels; from the likes of Kay , Gretsch , Epiphone , Guild , Fender and Gibson. But Harmony was one of the very biggest producers, at one point the biggest, selling guitars branded both as Harmony, and rebadged for numerous other distributors. Most were entry or intermediate level instruments though, and although examples of most models are easy to find, examples in really good condition are rare. But Harmony produced a lot of instruments other than guitars: ukuleles, banjos, mandolins, violins etc; the company was proud of it's history, proudly American, and as proud of its skilled workforce, as it's use of modern technology "We've produced millions of instruments but we make them one at a time". This long history of instrument manufacture explains why Harmony had the expertise to produce so many well-built acoustic and hollow-body electric instruments; guitars like the Meteor and Rocket were very well received. They were slow, however, in committing to the solid body market; although they released the H44 Stratotone neck-through solid body in , it was gone by , and there were only hollow bodies until the release of the Silhouette in Harmony had been producing instruments in America since , and used a number of different premises in Chicago, however from instrument production was performed at the Racine Avenue factory plant 1, top right. From , some processes - final assembly, inspection, and shipping - was moved to plant 2, about a mile away bottom right. Harmony, like many other early guitar manufacturers, used some very fine tonewoods in the production of instruments: spruce tops, maple, African mahogany and birch backs and sides, South American mahogany, maple and poplar necks and rosewood fingerboards and bridges. Several notable ranges of similar guitars were produced with different finishes and features; whilst some companies lumped all variants together with a single model name - i. Harmony's market share of entry and intermediate-level instruments was it's downfall in the mids, as it found itself unable to compete with the competition from overseas particularly Japanese manufacturers.

Hohner were, of course, a German company, vintage harmony electric guitar, better known for their harmonicas and accordions, but they were keenly expanding into guitars at the birth of the s. The models bearing the Commodore name were all guitars available from different distributors with different branding.

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American guitar manufacture was at its peak in the s, with numerous highly-respected guitar companies making instruments at all levels; from the likes of Kay , Gretsch , Epiphone , Guild , Fender and Gibson. But Harmony was one of the very biggest producers, at one point the biggest, selling guitars branded both as Harmony, and rebadged for numerous other distributors. Most were entry or intermediate level instruments though, and although examples of most models are easy to find, examples in really good condition are rare. But Harmony produced a lot of instruments other than guitars: ukuleles, banjos, mandolins, violins etc; the company was proud of it's history, proudly American, and as proud of its skilled workforce, as it's use of modern technology "We've produced millions of instruments but we make them one at a time". This long history of instrument manufacture explains why Harmony had the expertise to produce so many well-built acoustic and hollow-body electric instruments; guitars like the Meteor and Rocket were very well received.

Vintage harmony electric guitar

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It is designed for right-handed players, with a mahogany body material and six string configuration. Normal wear and tear. Nickel plated Gretsch Bigsby tailpiece. You'll be amazed at the difference you can make with just a few tools, a bit of knowledge, and a little time. Comet A brand new Harmony semi-hollow to call your own. The Hofner Colorama was the name given by Selmer to a series of solid and semi-solid body Hofner guitars distributed in the United Kingdom between and Please comment. The example shown here is a full-body depth guitar in blonde - and as a guitar, one of the last to feature the rounded Venetian cutaway. Scan of Selmer guitar catalogue showing the range of electric and acoustic guitars distributed by the company: guitars by Gibson, Yamaha, Selmer, Hofner and Suzuki. This model features a trapeze tailpiece and floating bridge. It is your responsibility as the buyerto It was planned for launch as a high end semi acoustic with style construction central maple block and innovative circuitry - but was pulled at the last minute, being deemed too expensive. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand.

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The bass was one of the first models, alongside the six string and twelve string available from late until about Its right-handed design and vintage series The action is great and plays like a dream. Although there may have been some minor changes in appointments specifically headstock branding most had the same basic bodies, hardware and construction. But by the model was officially discontinued, though very small numbers slipped out as late as spring Mid s Harmony by Heath H54 Rocket. Production of Bill Lawrence's Gibson Marauder began in , with production peaking in The construction and specifications of the guitars varied over the period of production, but by it was a totally solid, double cutaway instrument, with a set neck, translucent cherry finish, six-in-a-row headstock, and Hofner Diamond logo pickups. This example, then, shows a model already two decades old, but barely changed since the '57 revamp. H72 Reissue Capture the past or define the future with the H72 Reissue. In addition there are several other flaws to the finish, a slight delam to the headstock and 2 holes drilled in back of headstock evidently to hang the This rare guitar is in excellent condition for its age.