Tin and tina explained

Released inTin And Tina is a Spanish short film that has captivated audiences with its eerie and enigmatic storyline. Directed by Rubin Stein, this psychological horror film delves into the disturbing world of two siblings and their unsettling secrets. With an ending that leaves viewers questioning, in this article, we will analyze the Tin And Tina ending, explore 8 interesting facts about the film, and answer 16 common questions that arise tin and tina explained watching it.

The movie pairs creepy twins with religious horror to create an experience that will continually shock you as you watch it and will stick with you long after the credits roll. It may have suffered with critics , but writer-director Rubin Stein's debut is one of the best horror movies streaming right now. The movie somewhat channels "The Shining" as it makes its centerpiece the titular twins, religiously-obsessed children who have some unique ideas about what is right and wrong, and how those morals should be expressed. Played by Carlos G. Between all the obscured motives and deep religious imagery, the movie is begging its audience to ask questions — but we've already taken care of that and asked them all for you. The movie opens with Lola and Adolfo getting married, and the two of them seem overjoyed to be starting their lives together. That joy quickly fades when Lola starts bleeding through her wedding dress and needs to be rushed to the hospital.

Tin and tina explained

Released in and directed by Rubin Stein, the film follows Lola Milena Smit and Adolfo Jaime Lorente , a newlywed couple who adopt a pair of strange twins following the loss of their first child. The real scares in the movie's ending came within the margins of doubt. The ending of the film sees Adolfo and Lola's relationship nearly crumbling as the arrival of their firstborn biological child is heralded as a medical miracle. However, Lola's descent into religious fascination is one of the biggest wedges between them and Adolfo is seemingly punished by God when he is suddenly set on fire in a blaze that also consumes the entire house. Adolfo's rejection of religion was a running theme for the character throughout, and it clashed mightily with the twins' biblical devotion. Adolfo's burning of the Bible could have been the last straw for the twins that set them over the edge, and his death ironically mirrored the way he torched the book. The twins are somewhat exonerated by the fact that they were at the orphanage at the time of Adolfo's death, but it was also shown that their caretaker had fallen asleep. The implication that the young children could have killed Adolfo is there, but it is just too far-fetched to be possible. What's more likely is that Adolfo died in an accident, but it mostly served to justify Lola's religious fascination which had been stoked by the piety of the twins. When Lola and Adolfo adopt the bleach-blonde twins, they travel to the Convent of Saint Augustine, which is named for the notable Saint in the Catholic religious tradition. Considering how much Catholicism fits into the themes of the Netflix horror movie , it is clear that screenwriter and director Rubin Stein specifically picked Saint Augustine to be the image for Tin and Tina as characters. According to Catholic Online , Augustine is the Saint of brewers which has no connection to the story whatsoever, but it is the theologian's thoughts on faith that actually tie in.

It's far and away the most impactful moment in the entire movie, and the various interpretations of the scene have a huge impact on the overall meaning of the film.

Wait, so were the kids evil or not? Instead, we see them side by side after seemingly being at odds the entire film. So what happened? Lola is depressed because she not only miscarries a set of twins she was pregnant with, on her wedding day, but was also told she can never get pregnant again. Adolfo convinces her to adopt a child from the nearby convent to cheer her up. She ends up wanting to adopt two pale seven-year-old twins named Tin and Tina, after St. A series of dark events unfolds around the twins that makes Lola question everything about their true intentions and by the end of the film, the audience is questioning everything in the same way.

Released in and directed by Rubin Stein, the film follows Lola Milena Smit and Adolfo Jaime Lorente , a newlywed couple who adopt a pair of strange twins following the loss of their first child. The real scares in the movie's ending came within the margins of doubt. The ending of the film sees Adolfo and Lola's relationship nearly crumbling as the arrival of their firstborn biological child is heralded as a medical miracle. However, Lola's descent into religious fascination is one of the biggest wedges between them and Adolfo is seemingly punished by God when he is suddenly set on fire in a blaze that also consumes the entire house. Adolfo's rejection of religion was a running theme for the character throughout, and it clashed mightily with the twins' biblical devotion. Adolfo's burning of the Bible could have been the last straw for the twins that set them over the edge, and his death ironically mirrored the way he torched the book. The twins are somewhat exonerated by the fact that they were at the orphanage at the time of Adolfo's death, but it was also shown that their caretaker had fallen asleep.

Tin and tina explained

Home » Ending Explained. They receive the unfortunate news that due to a medical procedure, Lola will never be able to have children of their own. Lola has been feeling depressed. Adolfo convinces Lola to go with him to the local orphanage, run by Catholic nuns, so that they can adopt.

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It could simply be a reflection of the disruption and chaos that occurs in Lola's life during the course of the movie. They were hidden behind the couch when they murdered the family dog, and whatever happened to their schoolyard bully occurred entirely off-screen. Does the short film impact Tin and Tina's meaning? Maybe their convent wasn't big on teaching healthy methods of communication. Every creak and whisper adds to the overall sense of dread. Some of the short film's stylistic moves were eventually translated into the feature-length project. Adolfo is a little put off by the twins, but Lola becomes attached to them immediately and begs her husband to bring them home. Augustine have a deeper meaning? The implication that the young children could have killed Adolfo is there, but it is just too far-fetched to be possible. She's going to go on raising them as her own alongside her biological son. A series of dark events unfolds around the twins that makes Lola question everything about their true intentions and by the end of the film, the audience is questioning everything in the same way. Tin and Tina insist that her new baby is a miracle, and though Lola doesn't wholeheartedly agree with them, she starts opening up to their point of view. After the fire, Lola wakes up in a hospital bed to the presence of the head nurse from the convent. Similarly, the arrival of Tin and Tina pushed the lives of Lola and Adolfo in a more fundamental direction, and she was more easily swayed because of her desire to have children.

The Spanish horror film is indeed a perfect example of creepy story with two little twins as protagonists and a mother victim of the many misadventures happening around the family. The plot is fascinating, and the ending contains some symbols that must be explained.

Played by Carlos G. Is there a deeper meaning behind the dark and eerie house they live in? She trusts that it really was God who helped her find her baby and escape the house fire , enabling her to raise the child she so badly wanted. The twins aren't gleeful or even overly mischievous while baptizing their brother. The understated presentation of the scene perfectly balances its actual weight in the story. Faith was at the heart of the story which was set in a country that was in the middle of a cultural shift. Released in and directed by Rubin Stein, the film follows Lola Milena Smit and Adolfo Jaime Lorente , a newlywed couple who adopt a pair of strange twins following the loss of their first child. The recurring motif of dolls represents childhood innocence and manipulation, adding depth to the overall story. Their violent retribution against the family pet could be chalked up to their young minds twisting religious doctrine, and such an event is a possibility despite how gruesome and horrifying it is. Augustine is to be believed, they are indeed impure. They go to the Convent of Saint Augustine and meet Tin and Tina while the kids are playing the organ.