Se munro egg 150

SE Electronics have enlisted the help of renowned acoustician Andy Munro to design these striking studio monitors. Does their unique approach to speaker design pay off in the real world? In an ever-changing world, the one thing we can probably always rely on is the fact that, se munro egg 150, mini bolsa coach some point, the 'music' in whatever electrical form it might be has to be turned into acoustic sound waves for us to hear — and in most cases that means some form of monitoring loudspeaker.

I have a new interest in hifi and it is in active speakers. It all started with the Hypex AS2. These weren't perfect, but still impressed me with their tight, dynamic and clear sound. Sadly, they had a few flaws that spoiled their performance a bit, for me, but I was still convinced that active speakers were a superior solution. I had always known this, to be honest, but never really experienced it.

Se munro egg 150

Formerly sold under the SE brand, these Andy Munro—designed Egg speakers have been given a major update. Andy Munro is well known for his commercial studio designs, and also his previous involvement with Dynaudio loudspeakers. As with the original Eggs, the cabinet is a ported, egg—shaped, 14—litre moulding. The shape provides both mechanical rigidity and a significant reduction in diffraction, as there are no sharp cabinet edges. The curved surfaces also break up internal reflections and suppress standing waves, so despite the technical challenges in manufacturing this type of cabinet, there are many potential benefits. The reflex port is tuned to 51Hz, and the overall frequency response of the speakers is 45Hz to 20kHz at the —3dB points. As before, there are recessed LEDs that are visible only from the sweet spot, making it easy to physically align the speakers, which come with their own adjustable bases. Handling the highs is a one—inch silk—dome tweeter with a neodymium magnet, while the lows and mids are delivered via a mm polypropylene—cone woofer. As far as I can tell these drivers are the same as those fitted to the original Eggs — the most noticeable changes are in the amp pack. As well as avoiding potential problems due to mechanical vibration, this approach means the user can put the controls close at hand. However, a separate monitor controller may still be necessary as there are no dim or mono switches on the amp. All the active crossover circuitry 2. Though the amplifiers may seem modestly powered when compared with other active monitors, they pack plenty of punch, with their 35V power rails providing adequate headroom and allowing a maximum SPL, per pair of speakers and at one metre, of dB. All the circuitry is traditional analogue, an approach Andy Munro has taken to avoid problems being introduced by digital conversion systems and digital volume controls.

The egg shape serves two purposes: first to help the speaker to radiate sound nice and evenly in all directions, without coloration or reflections from sharp edges.

By Brad Watts. Like eating deep fried tarantulas on a stick… and sky-diving. Jumping out of a plane toward earth at 9. Relatively speaking however, compared with most typical nearfield monitors, the MunroSonic EGG monitors are a decidedly extreme departure. Huge eggs from some giant prehistoric bird or reptile, or an instalment of the Alien movies, but eggs nonetheless. A mere gimmick? I think not.

Studio monitors are arguably the most crucial element of any recording studio setup. So it stands to reason that studio monitor brands breed fiercely loyal customers. There are a select few companies that most engineers can agree will always translate their work accurately wherever they go. And a new brand has to really be something special to make that cut. These monitors could be that something special. The result of their collaboration is the sE Munro Egg monitoring system. The system is comprised of a stereo control unit power amp, which powers a pair of two-way egg-shaped speakers. The design face is sleek and clean featuring large Main and Aux volume knobs. The control unit also features a two-way asymmetrical crossover and connects via ten foot matched Speakon cables to the two-way speakers, which feature a 1-inch HF driver and 6.

Se munro egg 150

SE Electronics have enlisted the help of renowned acoustician Andy Munro to design these striking studio monitors. Does their unique approach to speaker design pay off in the real world? In an ever-changing world, the one thing we can probably always rely on is the fact that, at some point, the 'music' in whatever electrical form it might be has to be turned into acoustic sound waves for us to hear — and in most cases that means some form of monitoring loudspeaker. And that's an important point: none could be said to be 'perfect', and it's very hard even to point at a high-end professional monitor that could approach true perfection in every respect! The plain fact is that loudspeaker monitoring remains the weakest link in the audio chain by a considerable margin, producing far more distortion and unwanted response irregularities than anything else.

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The Egg speaker cabinets have an attractive and very tactile matte-black, rubberised surface — the same as is used on many of SE's high-end microphones — and the Egg dimensions are x x mm HxWxD when mounted on the supplied base plate. But otherwise they are great. Few, if any, other manufacturers offer anything similar for this market sector, and this is a strong statement on SE's part of the belief they have in the quality of their products. Granted, they don't have the phenomenal extension and pure silky refinement of a pair of Revelator tweeters, nor the detail and speed of the SEAS Millennium, but they are not very far off. After some research I decided to try the sE Munro Egg speakers, mostly based on reviews in pro audio magazines, but also on the fact that they're a bit different. Again, a high pass filter, or even a pair of port bungs, could solve the problem, but are sadly not provided. Changing to an inverting configuration for the amplifier and restoring the polarity by swapping the loudspeaker terminals made the system quieter without any measurable difference to the audio performance. As soon as I started listening to them it all didn't matter anymore, and I was completely convinced by the whole concept. These aspects produce an extremely coherent stereo image with depth you can dive into. The next thing I noticed accidentally was just how loud these monitors can go. Differences between the Audio-Technica , , and tama snare samples uploaded Where to place the Drums in the room?

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Save my name, email, and website in this browser for the next time I comment. Not surprisingly, Olson's work revealed that chamfering or rounding the front baffle edges helps to reduce these interference effects by softening the transition and severity of the pressure discontinuity at the cabinet edge — and that's why most modern loudspeaker cabinets have rounded edges to varying degrees. If so, the noise is coming from your system, if the noise is gone with the HP on, then your monitors are noisy. They are musical, play all sorts of music, go more than loud enough and offer unprecedented insights in my music collection. The Eggs exhibited excellent and seamless integration, from the surprisingly deep lows, right through the mid-range, and on to the high end, and I didn't feel any need to tweak the balance at all. While not exceedingly large, they pack a punch comparable to much larger monitors. So, after some further tweaking, the mid-range EQ options are more subtle than originally intended, but actually all the more useful for that. I have a new interest in hifi and it is in active speakers. If only all ported cabinets could achieve as much! Monitors perform better when the cabinets are rigid and unperturbed by the sound waves bouncing around inside.