Saturn eating his son painting

Mahima Sharma. Often, people find something fascinating about ancient mythologies, demonology, and Greek cultures and cults. You might notice that there is a great deal of attention paid to the shady skeletons, brushes, and sacrifice bowls, despite their terrible appearance. Every now and then, after an awful day, I end up watching a disturbing show, and trust me, it works.

The shocking title of the painting, as well as the title and visuals that directly express its content, make it an unforgettable work. This painting by Goya was based on a mythological theme. The painting depicts the legend of Saturn, the god of agricultural fertility in Roman mythology equivalent to Cronus in Greek mythology , who, fearing a prophecy that his children would kill him in the future, swallowed his five children one by one. In Roman mythology, he was originally king of Mount Olympus, the home of the gods, but after Zeus took his throne, he moved to Italy. Legend has it that he introduced agricultural technology to Italy and civilized the country. However, in his old age, Saturn became obsessed with insanity out of fear of his own destruction. Instead of swallowing his own child whole, as in the legend, he bites and devours it from the head down, depicting it with realism.

Saturn eating his son painting

It is traditionally considered a depiction of the Greek myth of the Titan Cronus , whom the Romans called Saturn , eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him. It was a two-story house which was named after a previous occupant who had been deaf, although the name was fitting for Goya too, who had been left deaf after contracting a fever in Between and , when he left the house to move to Bordeaux , Goya produced a series of 14 paintings using mixed technique on the walls of the house. Although he initially decorated the rooms of the house with more inspiring images, in time he painted over them all with the intensely haunting pictures known today as the Black Paintings. Created without commission for private display, these paintings may reflect the artist's state of mind late in a life that witnessed the violence of war and terror stoked by the Spanish Inquisition. Saturn Devouring His Son was one of six works Goya painted in the dining room. It is important to note that Goya never named the works he produced at Quinta del Sordo; the names were assigned by others after his death. His wife Ops Rhea eventually hid his sixth child and third son, Jupiter Zeus , on the island of Crete , deceiving Saturn by offering a stone wrapped in swaddling in his place. Goya depicts a large figure feasting on a human form. The human head and part of the left arm have already been consumed. The right arm has probably been eaten too, though it could be folded in front of the body and held in place by the larger figure's thumbs. The larger figure is on the point of taking another bite from the left arm; as he looms from the darkness, his mouth gapes and his eyes bulge widely.

The painting is part of the Black Paintings series by Goya and is on public view in the Prado Museum. In this painting, an old man dressed as a monk is depicted on the full length of the painting, flanked by a man who appears to be overhearing him.

It is traditionally interpreted as a depiction of the Greek myth of the Titan Cronus known as Saturn in Roman mythology eating one of his offspring. Fearing a prophecy foretold by Gaea that predicted he would be overthrown by one of his children, Saturn ate each one upon their birth. The work is one of the 14 so called Black Paintings that Goya painted directly on the walls of his house sometime between and It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid. A premium quality heavyweight gsm fine art print material with a smooth, clean finish. This museum quality paper is extremely consistent and works perfectly with large, full colour graphics or illustrations.

Can you list the top facts and stats about Saturn Devouring His Son? It is traditionally considered a depiction of the Greek myth of the Titan Cronus , whom the Romans called Saturn , eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him. It was a two-story house which was named after a previous occupant who had been deaf, although the name was fitting for Goya too, who had been left deaf after contracting a fever in Between and , when he left the house to move to Bordeaux , Goya produced a series of 14 paintings using mixed technique on the walls of the house. Although he initially decorated the rooms of the house with more inspiring images, in time he painted over them all with the intensely haunting pictures known today as the Black Paintings.

Saturn eating his son painting

The gruesome painting shows the imposing figure of Saturn emerging from the darkness. His mad-like eyes are bulging from his face as he prepares to take a bite as his fingers dig into his child. The corpse is motionless and lifeless, his head and arm have been already been consumed. Only the flesh and blood of the mutilated corpse have colour in the darkened scene, which represents Saturn's fear of being usurped by one of his children. They were created during the artist's later years, likely between and The intense paintings often depict haunting images and distressing themes. They reflect Goya's fear of insanity and his dreary view of humanity during a time when conflict such as the Napoleonic Wars created significant social and political turmoil and change in Spain. Goya's pessimistic attitude towards humanity reflect his own the fear and experience during conflict as well as his fear of relapsing following two serious illnesses. The villa was named for its previous owner, who was deaf. Goya moved to the villa outside of Madrid in when the artist himself suffered from hearing loss.

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The unique facial expressions and limited number of colors in this painting are said to be a precursor to the Belgian Expressionist painter James Ensor. Painting by Francisco Goya. In Greek mythology, it was prophesied that Chronos or Saturn would be overthrown by one of his sons one day. The Sleeping Giant, pencil lithograph, He went to the school at Saragossa and took an apprenticeship under Jose Luzan. One can also sense the atmosphere of mental and physical pain that afflicted Goya in his old age. When Goya went into self-imposed exile in France in , he passed the Quinta del Sordo to his grandson Mariano. We use cookies We use cookies to improve user experience and analyze website traffic. The shocking title of the painting, as well as the title and visuals that directly express its content, make it an unforgettable work. Francisco bought this house in to the banks of the Manzanares River opposite Madrid.

Between the years of and , Goya painted a series of paintings on the walls his villa at Quinto del Sordo, all of which portrayed terrible, fantastical, or morbid imagery.

The painting, Saturn devouring his son, is truly a masterpiece. It is traditionally considered a depiction of the Greek myth of the Titan Cronus , whom the Romans called Saturn , eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him. Now, let me take you to the final part to understand the remaining part of Saturn Devouring His Son painting. There is smoothness in the painting with realism, still intact with no blood flowing, like by Francisco. The power-hungry and notorious man shown with the wide-eyed, open black mouth showcases a terrible and violent representation of the fear that he would be overthrown by one of his male offspring. In addition, right next to it, a dim, hazy, dark shape seems to loom over the dog. Although he initially decorated the rooms of the house with more inspiring images, in time he painted over them all with the intensely haunting pictures known today as the Black Paintings. One view suggests that the two men are fighting because they are incited to discord by a ruler, an ironic reference to the politics of King Ferdinand VII of Spain at the time. Depressed eye sockets, bald head and nose. JSTOR It is traditionally interpreted as a depiction of the Greek myth of the Titan Cronus known as Saturn in Roman mythology eating one of his offspring. This painting is similar in size, setting, and composition to another "black painting" called "Two Women Mocking a Masturbating Man," and is considered a sister painting. The colors of this painting are dominated by ochre and black, as much or more so than in the other black paintings.