Robbie vincent
Greetings robbie vincent soul survivors. Like many of my then teenage generation of the late s and early s, I grew up listening to Robbie Vincent Saturday morning
Robbie was a journalist who gained popularity on the airwaves as one of BBC Radio London's favourites, joining the station in to present his famous phone-in show. With a brief spell on Radio 1 in presenting his weekly soul and disco show, he shot to London immortality with the Radio London soul show on Saturday lunchtimes. Robbie moved to Radio 1 in where he presented the Saturday evening weekend 'Soul shows' , later moving to Sunday nights. He presented on Radio 1 until In he moved to work for LBC. His night-time phone-in show was one of the highest rated programmes on the station.
Robbie vincent
Robbie Vincent is a deejay who influenced many listeners to Soul Music, long before the days that the deejay would, themselves, become superstars. To pinpoint quite why he is held in such high esteem with those Soul fans in the South East of the U. That is simply timing. He was on the radio, during a period of great change within musical circles. The Sixties had left a musical void with the demise of the Fab Four and the departure of the Holland, Dozier, Holland team from the Tamla Motown stable. With a fresh musical canvas to work upon, artists could experiment with styles. Stevie collaborated with the Tonto's Expanding Headband guys, Jazz courted Rock and Soul and we were served up the fusion sound of the mid Seventies. Robbie was deejaying on Radio London during this period. His show didn't, actually, comprise of Soul Music at the outset. In fact he allocated his final hour of the show for Soul and Dance music in it's early incarnation , with the rest of the show comprising of, what we would describe today as, 'Soft Rock'. Little Feat, Steely Dan etc. His show evolved into a purely Soul Music format as the years passed. Later the terms Jazz and Soul almost became obsolete as the Black and Blue Eyed Soul performers umbrella grew to accommodate all of these genre's.
That is simply timing. In fact he allocated his final hour of the show for Soul and Dance music in it's early incarnationwith the rest of the robbie vincent comprising of, what we would describe today as, 'Soft Rock', robbie vincent.
As a champion of jazz, funk and soul music in the UK during the late s he made an important contribution both live in clubs and on radio. The teenaged Robbie Vincent moved up from newspaper messenger boy, aged 15, to print journalist reporting for the Evening Standard on the trial of the notorious gangsters, the Kray twins , and from the troubles in Northern Ireland. With a potential audience in Greater London of 7. During the miners' strike of early and the resulting three-day week that limited the nation's consumption of electricity, Vincent was hosting a new style of show called 'Late Night London' and playing devil's advocate with listeners who called in by telephone to air their problems or opinions. The programme was broadcast late in the evening and was among the first to establish the format for the radio phone-in in the UK. As the TV shut down the lights went off, radio really triumphed, and my evening phone in succeeded beyond all expectations.
Photographed by Roger G Clark. The soul tribes of Britain saw white and black kids gathering together in underground clubs discovered only through the grapevine, and often unlicensed for alcohol. On dancefloors across the land, the acrobatic tribes competed to improvise the wildest dance moves and to build the highest human pyramids. None of this could have been imagined in America, with its strict apartheid between black and white music, and limited chances even for Motown artists to cross over into mainstream charts and playlists. Vincent was one of three deejays who soon headed what became known as the Soul Mafia working in London and the south-east and bringing real pressure to bear on record companies to release quality US acts in the UK. For a while, and encouraged by Hill, the Gold Mine had the monopoly on GI uniforms and scarlet-lipped jive-dolls during its Glenn Miller and swing revival. As a club deejay Vincent was the least theatrical in his presentation.
Robbie vincent
As a champion of jazz, funk and soul music in the UK during the late s he made an important contribution both live in clubs and on radio. The teenaged Robbie Vincent moved up from newspaper messenger boy, aged 15, to print journalist reporting for the Evening Standard on the trial of the notorious gangsters, the Kray twins , and from the troubles in Northern Ireland. With a potential audience in Greater London of 7.
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Many a younger deejay setting out right now should listen to this man when he returns to the airwaves. In he was occasionally a guest presenter on Tony Monson's 10 am to 1 pm weekday show on Solar Radio [10] in the UK. Robbie's relative low profile did worry his followers, who were concerned that the London Area had become starved of the music they had all come to love. With a brief spell on Radio 1 in presenting his weekly soul and disco show, he shot to London immortality with the Radio London soul show on Saturday lunchtimes. Click here to share your views about this legend ». When Robbie's Radio 1 show also came to an end, he spent some time at Kiss FM before moving to London's Jazz FM, where he established another regular Sunday slot, this time in the mornings. When I get asked about the Jap jazz it always reminds me of waking up that morning and the bastards have taken the lot. Leave a Reply Cancel reply Your email address will not be published. British radio DJ. More recently, [ when? He even had his own a soul satellite that used to scan the country and land in a particular location each week.
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That is simply timing. Click here to share your views about this legend ». Features lots of sound clips too. In , the news that the man was returning to the new digital Jazz FM, was a godsend for everyone concerned, musicians and purchasers alike. In Robbie Vincent was voted Independent radio personality of the year at the annual Variety Club awards. To order a hard copy of that edition go to. Pete Tong said he went straight out and bought 'Action' by the Blackbyrds, after hearing Robbie play 'Soft and Easy' for the first time. As a direct response to similar Northern soul all-nighters, it attracted the fanatical 'soul tribes' from across Britain. He regularly showcased deejays from around the region on a slot featuring three of the guests favourite tracks of the week. We think it is about time these truly outstanding individuals received the tribute they deserve.
Tomorrow is a new day.
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