Ray gun magazine
From my hotel room in Frankfurt. Right side remainds me of Rothko a bit
Ray Gun was an American alternative rock-and-roll magazine , first published in in Santa Monica, California. Led by founding publisher Marvin Scott Jarrett, art director David Carson and executive editor Randy Bookasta, along with founding editor Neil Feineman, Ray Gun explored experimental magazine typographic design and unique angles on the pop cultural currents of the s. The editorial content was framed in a chaotic, abstract " grunge typography " style, not always readable it once published an interview with Bryan Ferry entirely in the symbol font Zapf Dingbats , but distinctive in appearance. In terms of content, Ray Gun was also notable for its choices of subject matter. Ray Gun produced over 70 issues from through Owner-founder-publisher Marvin Scott Jarrett one-time publisher of a lates incarnation of Creem also later created the magazines Stick , huH , [2] Bikini , [3] and Nylon [4] a New York —based fashion magazine. Contents move to sidebar hide.
Ray gun magazine
Throughout the course of the 90s, Jarrett is credited with bringing the likes of British bands Inspiral Carpets, Blur , and Jarvis Cocker to a passionate new audience of US music fans, and introducing them to the work of European creatives including Corinne Day and Wolfgang Tillmans. Much like the contents inside the magazine, the design and aesthetic approach of Ray Gun was pretty innovative, too. Led by art director David Carson, pages were printed back to front and upside down, leaving people wondering whether the move was intentional or not. The articles themselves often went in some unique directions, too — just take the time an apparently slightly dull interview with Bryan Ferry ended up being published in symbol-based font Dingbats, rendering it illegible, for example. Visually it was awesome and, somehow, it worked. In January , just eight years after it started, Ray Gun was over, with Jarrett shutting the cult magazine down to focus on other projects including Nylon , which he founded in We were just doing our own thing and I think because it was authentic it ended up making a lot of noise, which was fantastic. It resonated with a lot of people around the world. Henry Rollins was really interesting to me because not only was he this alternative punk guy, he was all about his poetry and had his own publishing company, which I thought was really cool. Sonic Youth were the quintessential, archetypical, post-punk noise band from that time, so obviously they were in, it just made sense.
Save this story Save. To wit: soul patches, Vanilla Ice, tribal tattoos, toe rings, the swing-dancing craze, and. Chemical Brothers.
To wit: soul patches, Vanilla Ice, tribal tattoos, toe rings, the swing-dancing craze, and. Donald Trump. Ray Gun: The Bible of Music and Style by founding publisher Marvin Scott Jarrett who later went on to start Nylon is a page coffee-table tome filled with covers, layouts, photos, and occasionally text from a periodical once as infamous as it is now mostly unknown. Brian Eno once said that only 10, people bought the first Velvet Underground record, but each one of those people started a band. Did that design sometimes make the actual words on the page difficult to read? Sure it did.
David's design is a language, not a style. Vignelli "a contemporary legend" Print magazine, From CreativeReview Magazine ,London: "David Carson was the last person whose work for a magazine shifted wider contemporary design" jan. March " he changed the public face of graphic design" - newsweek " the art director of the era" creative review london " the most important work coming out of america" ameri- can center for design " the most influential graphic designer of our times" surfrider foundation, july '09 " He significantly influenced a generation to embrace ty- pography as an expressive medium" - steven heller " our biggest star " AIGA american institute of graphic arts " the greatest living graphic designer.. The best way to relate is to quote what they said that when Aeschines spoke the people said, "How well he speaks"; but when Demosthenes spoke, they said, "Let us march!
Ray gun magazine
Throughout the course of the 90s, Jarrett is credited with bringing the likes of British bands Inspiral Carpets, Blur , and Jarvis Cocker to a passionate new audience of US music fans, and introducing them to the work of European creatives including Corinne Day and Wolfgang Tillmans. Much like the contents inside the magazine, the design and aesthetic approach of Ray Gun was pretty innovative, too. Led by art director David Carson, pages were printed back to front and upside down, leaving people wondering whether the move was intentional or not. The articles themselves often went in some unique directions, too — just take the time an apparently slightly dull interview with Bryan Ferry ended up being published in symbol-based font Dingbats, rendering it illegible, for example. Visually it was awesome and, somehow, it worked. In January , just eight years after it started, Ray Gun was over, with Jarrett shutting the cult magazine down to focus on other projects including Nylon , which he founded in We were just doing our own thing and I think because it was authentic it ended up making a lot of noise, which was fantastic. It resonated with a lot of people around the world. Henry Rollins was really interesting to me because not only was he this alternative punk guy, he was all about his poetry and had his own publishing company, which I thought was really cool.
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Nicola Togneri, who represents Marlborough Fine Art, comments that showing the work of graphic designers in an art gallery has recently become much more acceptable. Save this story Save. American alternative rock-and-roll magazine. He has already been part of a group of radical designers who unwittingly began to define a visual landscape for the consumer-based youth culture in the s. Chemical Brothers. Henry Rollins was really interesting to me because not only was he this alternative punk guy, he was all about his poetry and had his own publishing company, which I thought was really cool. Carson points out that Probes is about introducing McLuhan to a whole new generation of readers in an accessible way. In January , just eight years after it started, Ray Gun was over, with Jarrett shutting the cult magazine down to focus on other projects including Nylon , which he founded in But is this enough to warrant placing them on a gallery wall? Carson is the art director and designer on the project and shares a cover credit. The Awl.
From my hotel room in Frankfurt.
From my hotel room in Frankfurt. It could never just be music, because music and fashion are so interlinked and related, and in the early 90s you were seeing that crossover more and more. The articles themselves often went in some unique directions, too — just take the time an apparently slightly dull interview with Bryan Ferry ended up being published in symbol-based font Dingbats, rendering it illegible, for example. Did Ray Gun once actually publish an interview with Brian Ferry in which the entirety of the text was rendered in the Zapf Dingbats font, making it completely illegible? Rage Against the Machine. Some new essays written for it—by former editor Dean Kuipers, Flaming Lips frontman Wayne Coyne, art director Steven Heller, and Liz Phair who appeared on the cover in , though only her legs and her hair, not her face, were actually visible —go a long way toward explaining the lightning-in-a-bottle genius of the original concept. In terms of content, Ray Gun was also notable for its choices of subject matter. Dazed media sites. By including him among these up-and-coming British artists, the gallery hopes to introduce Carson to a new audience of art aficionados. Shooting Marilyn Manson was incredible. Digital print from 35mm photograph on archival paper by David Carson Branding Carson. Ray Gun: The Bible of Music and Style by founding publisher Marvin Scott Jarrett who later went on to start Nylon is a page coffee-table tome filled with covers, layouts, photos, and occasionally text from a periodical once as infamous as it is now mostly unknown. One of the best things about making a magazine is turning people onto different music and new cool things they might not have otherwise heard about. Led by art director David Carson, pages were printed back to front and upside down, leaving people wondering whether the move was intentional or not. Jesus and Mary Chain.
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