Peter sheppard

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Welcome to my website. If you would like to ask me anything, please use the contact form, and I will answer as soon as I can! My project 14 films goes live on the Metmuseum Website! Menuhin Forum Bern. Please excuse the generic post: here is the link to my strange little YouTube channel.

Peter sheppard

He regularly appears as a soloist in over 30 countries. His discography is extensive, ranging from cycles of sonatas by Beethoven and Telemann, the complete quartets of David Matthews, Michael Tippett, and cycles of concertos from Haydn to Henze. He regularly appears as director and soloist with ensembles such as the Zagreb Soloists and Athelas Sinfonietta Copenhagen. He is also acclaimed for his collaborative work with museums, working regularly with the British Museum, National Portrait Gallery, Tate Galleries, Victoria and Albert Museum and worldwide. He plays on a Stradivari owned by Joseph Joachim, which is currently on loan to the Academy from the Fridart Foundation. Peter is the Fellow of Performance Studies at the Academy. Numerous works have been written for Peter by leading composers. Residency at St Bartholomew-the-Great, London, concentrating on eighteenth-century Italian works and specially-commissioned works. Website Navigation Royal Academy of Music. Log in. Open search. Primary Navigation Back. Social Media Navigation facebook. Form dismiss Enter your search. Text search controls What are you looking for?

Live lats week at the George Moore Theatre at Goldsmiths. Composer Nigel Clarke with the brand new disc! An amazing atmosphere in the room, peter sheppard.

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It is the start of a tour Peter has given countless times before and he has developed a light and engaging patter, which mixes historic detail with personal observations and hopes, a selfdeprecating humour and a smattering of unprintable anecdotes. There is so much to say about the history of Wolterton Hall — a history that is still being created by its current inhabitants. They have had several other homes over the years in London — in Clapham, Fitzrovia and Rotherhithe. They are serial doer-uppers who thrive on biting off what, for most of us, would be far too much to chew. The couple met in the Seventies while studying interior design at what was then the Polytechnic of North London. They set up a tile company supplying the likes of John Lewis and Habitat, and later worked as the head creatives for the kitchen company Smallbone of Devizes and a group of other interiors-related businesses that it acquired.

Peter sheppard

Thanks for all your support. Hey all. Some philosophical differences at the end but worry not, you will hear me again, I promise.

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Many thanks to all the team who worked on this disc, especially Jonathan Haskell and Stephen Sutton. With composer Nigel Clarke, conductor Neil Thomson and the Austrian Radio Symphony Orchestra at the end of four days exploration and adventure in the studio. Contact me for bookings : ptrshpprdskrvd aol. Cookies on Companies House services We use cookies to make our services work and collect analytics information. Welcome to my website. This disc is just a joy from first note to last. Huge shout out to Stephen Sutton at Divine Art and my astonishing engineer Jonathan Haskell — this is the 60th album we have made togethe. Non-necessary Non-necessary. We also use third-party cookies that help us analyze and understand how you use this website. This has resulted in dozens of new works, two cds, and miles of walking and talking on both sides of the Atlantic. Slaatter, Springdanser, Hallinger 8 3 At least of the pieces are for solo violin or viola, and I am not even close to running out of things to do. With thanks to Ben Hebbert.

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With composer Nigel Clarke, conductor Neil Thomson and the Austrian Radio Symphony Orchestra at the end of four days exploration and adventure in the studio. Work begins in Vienna! But who wrote it? Opening and dedication of the Sonata orginally dedicated to Bridgetower. And, as reamarkable, is the date this was made and patented… intrigued? Stillwater Minnesota 12 12 I studied this piece with Manoug Parikian when I was 18, and it is fascinating to work on the part he marked up for me — and weave my approach now around it. RNCM announcement. Workshop in the Band Room! Mystery prize to the first one who identifies the arch and pediment. Ave atque vale. Join us!!! Open search.