Native instruments razor review

Paired with powerful fine-tuning features — did somebody say Safe Bass? Partly this is down to that ultra-clean additive synthesis; in particular, he credits the Spectral Clip module for giving him finer control over harmonic balance, native instruments razor review. Mostly playing a supporting role in the full-spectrum pop arrangement, the bass leaps into the foreground in the verses for a series of lithe, precise pitch bends which steal the show.

Razor is an additive synthesizer built with the Native Instruments Reaktor technology. Razor was created as a joint effort between Native Instruments and Errorsmith , a Berlin-based music producer and a well-known Reaktor instrument designer. Being a big dubstep fan that I am, this was more than enough reason to grab Razor and see what it can do. The interface is split into several familiar-looking sections for oscillators, filters, envelopes, LFOs, effects, etc. Anyone with basic understanding of how synthesizers work should be able to start experimenting with Razor right away, even without reading the provided manual nevertheless, reading the manual is always a good thing, and the Razor manual is very informative and well-written. However, even though the synth follows a classic design , each section hides a trick or two up its sleeve, making Razor a pretty unique sounding instrument.

Native instruments razor review

Press Release: Native Instruments today introduced Razor, an innovative and highly distinctive software synthesizer designed together with forward-thinking electronic artist Errorsmith. For use in Reaktor 5 and in the free Reaktor Player, Razor uses powerful additive synthesis to create intense and profoundly modern sounds for contemporary electronic music production. Berlin-based producer and renowned Reaktor instrument designer Errorsmith is dedicated to the "expansion of the sonic horizon through digital sound synthesis". Razor realizes this credo through the additive synthesis capabilities of the latest Reaktor 5. The pristine and extremely dynamic sonic character of additive synthesis allows Razor to generate a wide and very distinctive array of energetic, hypermodern sounds, ranging from expressive basses and leads to complex, futuristic soundscapes. Razor utilizes up to partials for its sophisticated sound shaping algorithms. The dual oscillator section provides a wide arsenal of timbres, ranging from typical analog-style waveforms to unconventional models like "Primes", "Sick Pitchbend" and "Hoover Sync". The two filter sections offers 20 different filter types including innovative formant, vowel and waterbed models. A further section provides an arsenal of unique "Dissonance Effects" that further contribute to the unmistakable, charismatic sonic footprint of the instrument. Razor even integrates a high-performance band vocoder that can also be used to process external audio signals of any type. The user interface of Razor builds on familiar concepts of subtractive synthesizers, providing especially efficient and intuitive control for the underlying highly sophisticated synthesis engine. Razor also includes a library of carefully selected presets with a focus on cutting-edge electronic sound aesthetics, accommodating both contemporary club music genres like Dubstep and Techno as well as modern film and game scoring applications.

Razor by Native Instruments.

A lot of VST synths are trying to recreate and preserve the past. This made a lot of sense until the big analogue synth revival started about eight years or so ago. Now, in , we're practically tripping over new, affordable analogue synths from Korg, Arturia, the modular manufacturers and so on. Part of me has always thought that really, computers should be used to do things that are still impossible in the physical domain. Razor is such a synth. Because it uses hundreds of partials to craft its whole sound - from the oscillators to the filters to the reverbs - it's a synth that simply couldn't have existed in the 80s or 90s.

Today, its unapologetically digital signature can be heard on tracks by boundary-pushing experimentalists like Mark Fell and Jlin as well as mainstream hits by the likes of Kendrick Lamar and Dua Lipa — even Jean-Michel Jarre has found a place for it in his collection. Additive synthesis is, in short, the process of creating complex new sounds by stacking up partials — simple sine waves with precisely controlled frequencies and amplitudes. Additive synthesis, by comparison, is like a playground in that respect. A little over a decade before starting work on RAZOR, Erik was butting up against the limitations of hardware synthesizers of the time — sometimes going so far as to crack them open and modify them to better suit his needs. When I started with Reaktor there was no need to modify my analog synths anymore; I could take something from the Library, learn from it and modify it — or develop my own stuff from scratch. It was in , having been asked for ideas for a forthcoming update, that Erik submitted the first draft of his additive masterpiece: a stripped-back, lime-green ensemble that already bore the RAZOR name and an early version of its trademark visualisations. This proof-of-concept — an additive simulation of a saw wave running through a resonant low-pass filter present in the synth today as Lowpass Ramps — was a simple, but unique idea. It sounded different enough that it already had its own character.

Native instruments razor review

Childs IV on Jan 15, in Review 0 comments. If, either, you own Native Instruments' Razor, or you're thinking about purchasing it, now would be the time. Native Instruments recently updated the very popular Reaktor-based, additive synth to 1. And, with this update, there are some wonderful new additions on many fronts. The most exciting part of this update would have to be the new modules. My favorite new module would have to be the Resonant Reverb. This new Reverb addition can be somewhat darker than what we heard previously. Now sporting a Cutoff knob, you're able to easily get some 'moody' into your patches, making the Razor a much more emotional synth than it was previous

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Mark Fell — Materialisation epic razor chord and LatelyBass version with found voice. So how does one use a Razor to create sound? Even oscillator detune is faked by modulating the amplitude of individual partials to mimic detuned oscillators' 'beating'. Under the hood, everything in Razor bar the dynamics effects is done by manipulating the frequency, amplitude and phase of its partials. The saw type dubstep sounds you can make with this are amazing! How to make a melodic techno track Learn what melodic techno music is and how to make a melodic techno track that features melodic progressions, atmospheric sounds,… Komplete January 3, Discover the soothing melodies and atmospheric beats of chillstep music and learn how to make it in this step-by-step tutorial. As a consequence, the reverb tails are actually pitched to the note being played, and are also devoid of the nasty metallic ringing noise often heard in software reverbs. March 5, 1. A lot of VST synths are trying to recreate and preserve the past. Brutal, crystalline, precise, clean, robotic, powerful. Speaking of modulation, most of the parameters in each section can be connected to a variety of different modulation sources , and defining desired modulation settings is a quick and easy task. The filter section is where things start to get really interesting. Unique waveform and filter shapes. Same goes for the echo effect which is generated using the echo envelope and can also be modulated in interesting ways.

Press Release: Native Instruments today introduced Razor, an innovative and highly distinctive software synthesizer designed together with forward-thinking electronic artist Errorsmith. For use in Reaktor 5 and in the free Reaktor Player, Razor uses powerful additive synthesis to create intense and profoundly modern sounds for contemporary electronic music production. Berlin-based producer and renowned Reaktor instrument designer Errorsmith is dedicated to the "expansion of the sonic horizon through digital sound synthesis".

Under the hood, everything in Razor bar the dynamics effects is done by manipulating the frequency, amplitude and phase of its partials. His album Superlative Fatigue heavily featured the synth, showcasing many of its weird and wonderful capabilities. Roles: Music Producer. Roles: Keyboardist Composer Music Producer. Now, in , we're practically tripping over new, affordable analogue synths from Korg, Arturia, the modular manufacturers and so on. How to make a neofolk song with traditional instruments Discover the magic of neofolk music and learn how to make your own neofolk song with Spotlight Collection: Ireland, using… Production December 11, Computer Music. Along with several different lowpass filter types, it also features a variety of less common filter types like the comb, vowel and formant filters, among others. The first effects panel, Dissonance, creates timbres that, coupled with modulation, are spot-on for sci-fi FX, dubstep warbles and futuristic soundscapes. Learn about the unique characteristics of electro swing music, its history, as well as how to make electro swing music…. Manage cookies Essential cookies. The two filter sections offers 20 different filter types including innovative formant, vowel and waterbed models. I sometimes use the vocoder function, and because the carrier signal is so mathematically 'pure', consisting of stacks and stacks of sine waves, it sounds really special.