Mosrite bass bridge

I'm doing a different order of operations than usual. I did the neck mounting so I could lay out the bridges. Mainly to make sure the centerline was still the centerline, mosrite bass bridge. That's where a little wiggle in the neck mount is very useful.

Post by Sarah » Wed Jul 14, am. Post by oipunkguy » Wed Jul 14, pm. Post by oipunkguy » Sat Jul 17, am. Post by Veenture » Sat Jul 17, am. Post by Sarah » Sat Jul 17, am.

Mosrite bass bridge

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These are inexpensive top-loaders and were very easy to install. I think I've figured out how to do everything but the tremolo and the bridges. The nice thing about dry erase board is that if I screw it up, Mosrite bass bridge just go cut another fifty-cent piece off the sheet, and use the old one as a template.

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Though the partnership lasted only a half-decade, the Ventures have been perpetually associated with Mosrite, as bassist Bob Bogle noted in a interview with VG. The single-pickup example you see here is exactly like the one on the cover of the album The Ventures Knock Me Out! The bodies were basswood, necks were maple, and fretboards were rosewood. Mosrite hooked up with another notable guitarist, Joe Maphis, for a signature series of instruments, and the bass in that aggregation was known as the Mark X Model Combos typically had a maple back and sides, with a thick hardwood top note the bound f-shaped sound hole.

Mosrite bass bridge

Semie Moseley was born on June 13, in Durant, Oklahoma. In Bakersfield, Moseley started playing guitar in an evangelical group at age Semie and his brother Andy experimented with guitars since teen-age years, refinishing instruments and building new necks. Semie built a triple-neck guitar the longest neck was a standard guitar, the second-longest neck an octave higher, the shortest was an eight-string mandolin. Semie Moseley became a master luthier after he apprenticed with Paul Bigsby and later at Rickenbacker with Roger Rossmeisl, a German born jazz guitarist and talented luthier. Semie, who built guitars for the L. After a few years of struggling in Los Angeles trying to turn Mosrite into a mass producing guitar building operation, Semie moved his small operation in Oildale, just outside Bakersfield, California. When they began, their production was all custom, handmade guitars, built in garages, tin storage sheds, wherever the Moseleys could put equipment.

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Re: Reproduction Mosrite bridges Quote Post by Sarah » Sat Jul 17, am oipunkguy wrote: it is kinda funny, but I really think this was done on purpose, if you closely examine a mosrite, you will find the hidden M's. I originally got them for a narrow 17mm spacing, for which it is hard to find bridges, but this is a standard 19mm. I fished around in the electronics bin and found a switch with a smaller body. For a body, a small angle really doesn't matter. I folded up the contacts so it is less deep. Miscellaneous Projects. Here is the dry-erase pickguard. More: Miscellaneous Projects Passive Distortion. That plug is in there real tight, might as well be one piece of wood. Post by Sarah » Sat Jul 17, am. Let's see If you must be explicit about it, I suggest using a "y" for the "i", for example: "I are a loothyer, I do loothering. Stylistically, these are going to look great with the chrome lipstick pickups. I tried to keep the stain out of the binding slot.

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I'm using a guitar body, with a shorter-scale neck. I'm going with easy - a strip of aluminum tape. Vintage Mosrite neck mounting uses a neck extension under the bridge pickup. Water-based poly doesn't yellow like oil-based, so the red will stay red and the binding will stay white. Send private message Website. Send private message. The nice thing about dry erase board is that if I screw it up, I just go cut another fifty-cent piece off the sheet, and use the old one as a template. Semie would want it that way. I diluted it with mineral spirits this time, and it went on as a translucent wash, with the grain showing through nicely. A puff of accelerant to set the glue, and I re-drilled the holes right. That was a bit fussy because I wanted to rake them at the same angle as the pickups. The back - the red is not fully covering a streak of dark heartwood the way brown would. For a body, a small angle really doesn't matter. The Mosrite bass body above is clearly a stretch of the guitar body. Who is online Users browsing this forum: Bing [Bot] and 43 guests.