Minolta 35mm slr

Minolta Co. It made the first integrated autofocus 35 mm SLR camera system.

The examples were in two categories that I felt a newcomer would enjoy using; 35mm point and shoot cameras and 35mm SLR cameras. I recommended that the cameras be modern and capable of auto-exposure, multiple shooting modes, and auto-focus to better help newcomers make as few mistakes as possible. This is not necessarily the route that I took when I came back to film after a 15 year hiatus. I went more primitive with it. I mentioned this choice in my last article , and it elicited some comments from our readers who thought that my way was not the best way. An auto-exposure capable, auto-focus capable, modern film camera. A camera much different from the one with which I re-learned photography.

Minolta 35mm slr

It produced cameras for many film formats, from 16mm film to medium format. In the s Chiyoda, as it was then called, ventured beyond production of cameras and binoculars into business services, and eventually into photocopiers. Most branches of the company were related to optics: the copier branch, the exposure meter branch, etc. Minolta was succeeded by Konica Minolta after the merger with Konica in It was followed by the Nifcaklapp and Nifcasport folding cameras and by the Nifca-Dox strut-folder, all taking film plates or pack film. At this early period, all the cameras were directly advertised and distributed by the company, which was using a round logo with the letters N , D , P H and C o assembled inside a circle, surely for N ichi D oku Ph oto Co mpany. Heilemann dismissed all the strikers and opposed Tashima, who was favouring more moderate measures. The Asanuma company would distribute the Happy and Minolta cameras and assume all the advertising until The name Minolta was applied for and registered in , [9] and it was first used for a camera plainly called Minolta , inspired by the Plaubel Makina. The Semi Minolta was announced at the very end of and sold from It was the second or third 4. This association became so close that many customers believed that the Minolta cameras were made by Asanuma; [17] the agreement lasted until the end of the war, but the two companies retained some commercial contacts for some time afterwards. The production of Rokkor lenses began in , but they were only for military use.

Try out by yourself if you have one.

My personal SRT had clearly seen a lot of these — the film door had to be coaxed into closing, the viewfinder had a crack in it, and the meter needle drooped in depression. It was smaller and lighter than the SRT, had a much improved meter and a variety of metering modes. Best of all, this one-time flagship camera was now available for a song, and could often be found for about a hundred dollars. I found myself in such a situation after winning a batch of cameras for less than thirty dollars. I bought the lot just to get at the gem hidden within, a Minolta XD. When the camera arrived, I sent it off for a full tune up without delay.

I admire risk-takers in any industry because I feel that visionaries are the ones who urge everyone forward to a better future. The camera industry is no different. His recommendation came from the assertion that the brand engaged in an uncommon pursuit of engineering excellence. My professor was right. Minolta was one of the more innovative companies making cameras in Japan, less afraid to take risks compared with the popular outfits of Canon and Nikon.

Minolta 35mm slr

Dad was an instrument maker and specialized in optics. One of the cameras I came across was a Minolta X The more I examined it the more impressed I was. Previous to the release of the X there were two distinct lines — the metal vertical shutter XD series which introduced multimode automatic exposure to the world and the more consumer oriented XG series with horizontal cloth focal plane shutters. The XG series grew to become more and more capable, featuring full information viewfinders and most of the features you could ever expect on a top-end body. The X grew out of that XG line.

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The XD5 does have a few less features minors ones as you stated , but is essentially the same camera. Login to Casual Photophile. Trust me…. Can someone answer it, please? After all, it would be a pretty terrible camera that looks better on a shelf than shooting in the streets. The new amateur-level X, X, and related models offered additional program and metering features designed to appeal to newer photographers, at a lower cost. Email Required Name Required Website. Minolta later innovated in this line by being the first manufacturer to integrate a mechanical antishake system Minolta's antishake is based inside the camera body as opposed to the camera lens, common with Canon EF and Nikon AF lenses. This site you may already know of, certainly clears it all up. Share this post! October 22, Glenn January 15, at pm. Jerome June 3, at pm. And then all started, but this time for real: Bought a cheap XD7 with lenses.

The model, with the 'M' designation for its capability of being used with the 3. The XG-M is essentially an update of the XG-9 , now outfitted with a stylized new body which is to become the next generation of Minolta's standard manual-focus SLR body, including the X, and X External design changes include a different prism cover, a right-hand grip on the front of the body, a new corporate logo, a film memo holder, and a removable back.

From Camera-wiki. It offers complete manual control, more automation with other exposure modes, and even further control with exposure compensation. October 12, This association certainly hints at its pedigree. June 4, at am. Minolta introduced features that became standard in all brands a few years later. Remove the black plastic front cover, dismantle the piston and clean it with alcohol no oil or other lubricants. When the camera arrived, I sent it off for a full tune up without delay. Read Edit View history. Jerome June 4, at pm. However Minolta did not hang on to its technological lead for long as Canon and Nikon both introduced new autofocus designs of their own, with a wide array of new lenses and professional bodies. Somewhat large and heavy, even for those days.