Lost in london 2018

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E ven at its liveliest, cinema can only ever be a refrigerated medium, relaying images to us that were shot months, years even decades earlier. But this week there was an exception to that rule. As if that were not impressive enough, the picture was shot in a single unbroken minute take with a cast of 30 plus hundreds of extras in 14 locations, two black cabs, one police vehicle and a VW camper van festooned with fairy lights. With Lost in London , Harrelson went as far in the opposite direction as one can imagine. This was edge-of-the-seat, seat-of-the-pants film-making.

Lost in london 2018

Lost in London also known as Lost in London LIVE is a American independent biographical comedy-drama film written, starring, and directed by Woody Harrelson in his directorial debut. The film also stars Owen Wilson and Willie Nelson. The film was shot and screened live in select theatres on 19 January The idea for the film came to Harrelson following a night out at Chinawhite , a club in Soho , in Harrelson announced the film in September According to Harrelson, the film contains 30 cast members and 14 shooting locations. The film was shot in a single take with one camera. The film officially premiered in London on 27 January Writing for the London Evening Standard , Nick Curtis judged Harrelson's film, "A daft idea, the kind of mad, experimental challenge dreamed up by stoned film nerds after a Hitchcock all-nighter, but one he pulled off with considerable wit and brio. Lost In London is not a great film. How could it be when character and plot are slaves to the concept, when all we have is the frame of a single camera? But it is a brilliant technical and logistical achievement, especially from a first-time director previously known for comedy and character roles, and a hippyish devotion to marijuana. Laced with self-mockery, it's very funny, and far better than we had any right to expect.

As a film, it's pretty slight, although Harrelson is very good as the witty, lost, selfish and naive film star lost in the big city.

Within the course of one night, Woody Harrelson finds himself in a misadventure in London that winds him up in jail. Sign In Sign In. New Customer? Create account. Lost in London Not Rated 1h 40m.

E ven at its liveliest, cinema can only ever be a refrigerated medium, relaying images to us that were shot months, years even decades earlier. But this week there was an exception to that rule. As if that were not impressive enough, the picture was shot in a single unbroken minute take with a cast of 30 plus hundreds of extras in 14 locations, two black cabs, one police vehicle and a VW camper van festooned with fairy lights. With Lost in London, Harrelson went as far in the opposite direction as one can imagine. This was edge-of-the-seat, seat-of-the-pants film-making. The audience at the Picturehouse Central in Piccadilly Circus had the extra thrill of knowing that what they were watching was happening right outside at that very moment, on streets and sets only minutes from the cinema. That it came off with barely a hitch was a credit to a tightly drilled crew, including the dexterous camera operator, Jon Hembrough, and the cinematographer, Nigel Willoughby. That the finished film was also a larky, freewheeling jab at celebrity culture rather than simply a virtuoso experiment is down to Harrelson, who also wrote the screenplay. The film follows Harrelson in a comic restaging of a night in when he ran amok in London and was arrested on suspicion of causing criminal damage.

Lost in london 2018

Harrelson has decided to take an embarrassing autobiographical tale, transform it into a meta analysis on the transient nature of celebrity — and then film the whole thing in one take. Now receiving a limited release a few months later, the film can successfully be viewed on its own terms, almost entirely divorced of gimmickry allegations — especially as it neatly slots in to the lineage of masterful one-take cinema, in particular the ambitious German heist film Victoria from The probing, borderline-Dogme 95 handheld cinematography may prove off-putting to some viewers. But this stripped down style is the perfect compliment to a subtle satirisation of reckless celebrity privilege, that manages to get under the skin of our privileged protagonist Harrelson playing himself , while also making him empathetic because of the universality of his flaws. The film depicts a wild night Harrelson had in London back in , although pop culture references here suggest it has an updated period setting.

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I'm not going to complain about the sometimes dim lighting, for what they were working with it seemed remarkably done. Harrelson acknowledges his debt to the mesmeric German thriller Victoria , with its similar sense of urban emergency. Woody Harrelson tries to act serious to a badly written script. Filmed astoundingly in one take by Harrelson's D. One camera. The film was shot in a single take with one camera. Owen Wilson was good as the same character that he usually plays, trying to cheer Woody up in a gypsy-themed nightclub with mixed results. Top credits Director Woody Harrelson. His fans concur. In his defense, I can easily understand why with such a daunting task.

Lost in London also known as Lost in London LIVE is a American independent biographical comedy-drama film written, starring, and directed by Woody Harrelson in his directorial debut. The film also stars Owen Wilson and Willie Nelson.

He didn't just jump in at the deep end: he did so into shark-filled waters. Lost in London also known as Lost in London LIVE is a American independent biographical comedy-drama film written, starring, and directed by Woody Harrelson in his directorial debut. Retrieved 14 January The dialogue is painfully intense, there is hardly any space to breathe. But all good entertainment. If anything, it extended Woody's desperation during that sequence as he skillfully performed improv for that minute or so. When Lost in London was previewed I was immediately taken with the idea. I had more laugh out loud moments in the theater with this film than I can remember in recent history. For his directorial debut I think he did a good job. It was fantastic as an experience and was a genuinely delightful film. Camera is shaky, sometimes blurry Within the course of one night, Woody Harrelson finds himself in a misadventure in London that winds him up in jail. When judging all the elements in the film, but particularly acting, it is fair to consider the EXTREME emotional and physical endurance all the actors and crew needed in order to materialize this crazy project, specially Woody who also served as director and, as he later explained during the QA session at the end of the movie, couldn't stop thinking about all the details while the camera was rolling. Movies I like.