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Instytut Filologii Romańskiej UWr. Zakład Italianistyki, pok. ISBN

Assumptions and aims. The present contribution is an attempt to explore the interrelation between the notions of quality and seriality in literary translation. The appearance of even one translation initiates a series which then becomes a potential one. If several translations exist, a series becomes partially realised; partially — because its nature is infinite. The scholar thus insists on a developmental character of the series 2. Nevertheless, it also presupposes a striving for improvement in the successive versions 4.

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The turn of the 4th and 5th centuries is a period of exuberant development of a monastic life in the West. This fact was also reflected in the correspondence of the authors of this period Ambrose, Augustine, Jerome and Paulinus Nolensis of Nola , who are considered to be the fathers of the Western monasticism. Many people entered the path of life devoted to Christ voluntarily and without dilem­mas, but there were also those who were encouraged to make this decision and yet they felt some resistance. Of this we can also find testimonies in the letters of the authors mentioned above. Among their nearly letters, we find only seven that relate to the theme of calling and encouragement to the monastic life. They are directed to only three people two soldiers and wealthy married couple , which, however, are an example of serious dilemmas and problems with entering the path of monastic life. The authors show in their letters arguments for taking up monastic life and ways of its implementation. The letters show a better and more perfect life. There is a deep hope that for abandoning what is earthly, a reward that transcends earthly goods awaits for a man who undertakes a monastic life. In the face of the vanity of the world, its worries and problems, certainly a better hope is shown in the encouragements of the letters. For earlier publications, copyrights are available under fair use rights in accordance with the Act of February 4, on copyrights and related rights. English Język Polski. Home Archives Vol. A word and an image in the Bizantine Culture Articles. Surer hope?

Eliota w literaturze polskiejpp.

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In this area the two earliest Polish renditions score lowly: while there are passages that show rhythmical patterns, some longer stretches of text are not cadenced at all. Tradycja — odczytania — przekształcenia. KEN w Krakowie. Scholars tend to talk of a development which carries a suggestion of improvement rather than of accretion, let alone of a degeneration of a series. Marta Kaźmierczak a b s t r a c t Assumptions and aims The present contribution is an attempt to explore the interrelation between the notions of quality and seriality in literary translation. Stanisław Barańczak followed in Eliot, Szepty nieśmiertelności , trans. Most scholars and readers of translations would probably agree that the thematic core of a given text is part of any translation invariant and a factor of translation quality. Later on the same translator inserts the pronoun ty in a context that in Polish demands its skipping:. However, new translations often emerge for a range of reasons connected not with quality concerns but rather with economic, copyright or ideological factors. The Second World War prevented any wider cultural influences from the Anglo-Saxon culture, and later, in the Stalinist period, there were ideological barriers to the reception of a poet so intellectual, so religious, hermetic and conservative. Księga Jubileuszowa Księdza Francisz¬ka Drączkowskiego, red. The key phrases reappear in all Polish versions. Marvell, Do cnotliwej kochanki , trans.

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Jakże się ja ośmielę? The style of The Love Song is predominantly colloquial, nonetheless there are changes of tone. Ceny zawierają podatek VAT jeśli ma zastosowanie. These concepts have been proved highly operative, especially if we guarantee the intersubjectivity of such a benchmark tool as I have argued on an earlier occasion The three later translators try to emphasise the paralysis of will by additional devices. As Heydel justly remarks 43 , some defects of early Polish renditions of Eliot were due to the lack of access to the wider, active context of the 20 th -century poetry of the English language, enforced by the Iron Curtain; inability to understand the phonic organisation of this poetry may have belonged to such issues. Sprusiński indicates the source of allusion in his afterword 71 , yet the only point in common between the two Polish excerpts is the verb u toczyć , anyway suggested directly by the source texts. Czy się ośmielę ład świata zakłócić? Wybór, przekład, redakcja i komentarz Katarzyna Woźniak, Kraków, Pasaże, , s. Adam Pomorski re-creates the sound-structure of The Love Song in a masterly way, with identifiable rhythms, numerous rhymes, occasional internal echoes. Table 4.