Japanese pottery marks satsuma

Even if you don't speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. Japanese pottery marks satsuma start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down.

Listed are also some modern Japanese porcelain marks. We regularly update this page. Last updated: February We are a member of eBay Partner Network. When you click links on this site and make a purchase, this can result in this site earning a commission. Often found on Imari Arita porcelain.

Japanese pottery marks satsuma

Satsuma ware is perhaps one of the most well known of the Japanese pottery styles often richly decorated with fine detail and liberal use of gold. The name comes from the region controlled by the Shimazu clan Satsuma-han - officially Kagoshima and surrounding areas. The history goes back much further to around when Satsuma pottery was generally plain and in dark clay, very different from the 19th century pieces made for export to the West. Satsuma comes in many forms and the term is a catch-all covering highly decorated fine work, through the Awata style with enamel decoration and the later post war moriage decorated forms which are often a world away in terms of quality from the 19th century production. One of the features of Satsuma ware is the crazing, sometimes darkened, which covers the plain areas of the pottery, this can be very fine and almost invisible to the eye through to obvious and heavy. One sign of late 20th century reproductions is often the fake looking attempt to reproduce crazing. To check our stock of satsuma ware click here. Marks are most often hand painted over glaze and may include the artist as well as the Satsuma mark along with other details. Impressed and incised marks are far less common. Unmarked pieces, or those simply marked Satsuma are also very common. See below to navigate the marks, or simply scroll through - note some of the marks can be clicked to show the object the mark came from.

This marking means to "make" or "manufacture" and can be found on many pieces of Satsumaware. The one thing that really makes me worry is that I have never seen an antique Satsuma incense holder japanese pottery marks satsuma. It is considered that such marks may had been Western exporters or retailers marks ie branded wares.

Satsuma pottery is the Western name for very collectable type of Japanese earthenware exported throughout the world since the Japanese Meiji period Japanese sources suggest the Satsuma pottery tradition dates from the 17thC, but firm identification of any pieces earlier than the 19thC is difficult. Kilns were established in the Satsuma area in southern Kyushu by Korean potters in the late 16th century. The first and very earliest wares are the rarest of the rare and were stonewares covered with a thick dark glaze. During the mid 19th century the pottery that today, is recognized as satsuma pottery ware was created. It is a slightly yellowish earthenware.

Large Satsuma vase depicting the seven gods of good fortune. Height: 38 cm. Mark: Dai Nihon Satsuma Gyokusen zo. Meiji period, circa s. The typical Satsuma ware we most of the time comes into contact with is a yellowish earthenware usually decorated with a minute decoration with Japanese figures, expressive faces or detailed oriental landscapes, or sometimes embellished with vivid dragons in relief. This ware is in fact an export product specifically designed in the mid 19th century to cater to the western export market. The Japanese themselves had very little interest in this ware. From around the s to the early s more than artist at least twenty larger studios or factories were producing "Satsuma" wares of which much were of low quality and destined for the European and American export markets.

Japanese pottery marks satsuma

Satsuma ware is perhaps one of the most well known of the Japanese pottery styles often richly decorated with fine detail and liberal use of gold. The name comes from the region controlled by the Shimazu clan Satsuma-han - officially Kagoshima and surrounding areas. The history goes back much further to around when Satsuma pottery was generally plain and in dark clay, very different from the 19th century pieces made for export to the West. Satsuma comes in many forms and the term is a catch-all covering highly decorated fine work, through the Awata style with enamel decoration and the later post war moriage decorated forms which are often a world away in terms of quality from the 19th century production. One of the features of Satsuma ware is the crazing, sometimes darkened, which covers the plain areas of the pottery, this can be very fine and almost invisible to the eye through to obvious and heavy. One sign of late 20th century reproductions is often the fake looking attempt to reproduce crazing. To check our stock of satsuma ware click here. Marks are most often hand painted over glaze and may include the artist as well as the Satsuma mark along with other details.

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Mark from a Meiji period kogo with wisteria. A number of stylistically different Choshuzan marks are found, perhaps suggesting they are from more than one artist or kiln. However, at the same time some independent Japanese artist studios were producing Satsuma pottery of the finest quality. A company name. It is richly decorated with a boat on one side and figures on the other. Hi Pat. Its beautiful. Yasui is perhaps the ceramic manufacturer rather than an artist. Possible Pin dish, for a lady's dressing table. The lower cartouche is: Satsuma, Hododa. Shimazu crest above and Satsuma Yaki on the right.

By adapting their gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Satsuma ware one of the most recognized and profitable export products of Japan for centuries, and even became one of the key sources of funding for the Meiji period reforms. Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. The Satsuma region happened to be a great spot for the development of kilns due to its access to local clay and proximity to the Korean peninsula.

Or at least what do they say? What mark do you think it is? Hi and ideas on what this says? Kyoto porcelain.. Early 20th century. It is a gold square mark with polka dots surrounding Japanese writing and underneath in square is Japan. The Shimazu clan mark is often found below the main mark. Imported by, or ordered by the Arnart Import Company. Mark: Shimazu family crest; Possible reading Futaji. Click here to see large picture Jinzan