Hayat sen ne çabuk harcadın beni notası

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Dominik Eulberg for sure is one of the best and most unique electronic music producers from Germany. He has found the perfect balance in his life, travelling back from gigs to the forest and having space for silence and relaxation. We caught him right after his little vacation and asked questions before his gig at Babylon İstanbul. How are you, what are you dealing with these days? Thank you!

Hayat sen ne çabuk harcadın beni notası

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Of course if at the end of the album production process you go back to the first track from 2 years ago and work on it again to be sure that it still fits style and soundwise to the newer tracks.

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Agora Meyhanesi. Al Mendilim. Alfebem 23'e İndi. Avcumdaki Dua. Ayaz Geceler. Bayram Gecesi. Belki Bir Sabah Geleceksin. Beni Kalbinde Ara. Beni Sevmeni İstiyorum. Bir Demet Yasemen.

Hayat sen ne çabuk harcadın beni notası

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Dominik Eulberg for sure is one of the best and most unique electronic music producers from Germany. I grew up in a music loving home. Colin McBean aka Mr G is the ultimate Rekids personal who is in charge of big hits and hard to find groovy house music. I don't know man, and to be honest I don't give hype too much credit. Or maybe there is a track with a special story behind which you would like to tell? You are one of the guilty men for this coloured vinyl madness. Sometimes thats all you need for the moment and sometimes the track is so big to you, that you go and ask the DJ and get the track the next day and listen to it for the next months or years. Do you want people to shut up? I think it is wonderful that genre borders are disappearing, that stereotyped thinking is lesser nowadays. For both of us it is our first step into the album world and we are very happy and proud with the result. He has compiled the album and chose the best fitting tracks while working for some of them for months. Cart 0 Your cart is empty. Unfortunately, record companies' greed and artist's fear of not succeeding, two things typical of our modern crisis days, give birth to what seems to be a never-ending string of inbred records indulging in cheap tricks, easy melodies and good old studio recipes we've been fed hundreds of times before.

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Techno and house tend to have a very self-centered attitude which often leads to uniformitiy in sound. It was and it was great fun just doing something different, we worked on the music for that in the middle of doing my album so it was a welcome break, it's David's soundtrack really, I just worked with him on it. I'm heavily influenced by my readings so this makes a lot of sense to me. It is a lot slower that the older banging techno, therefore it has slightly different techniques of progression and building up. But in the near future there will be a release on my own label EevoNext from Tim Wolff where I made a remix of. What did you write in the last issue? Maybe you can tell us your favorite Turkish dishes But this track only makes sense when listened from a to z in its original length, so it was either this way or not putting it in the tracklist at all, which would have been a shame in my opinion. What were the inspirations at the starting point and where do you think you reached at the end? I'm just trying to write good, honest music. Those guys were tearing it up back then. What will we be hearing from you in your show?