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With Nordic Notes we regularly cast the eye on the Nordic art and cultural scene, portraying its important actors. From her studio in a year-old threshing house, far removed from the outside world, Marjatta creates her monumental paintings that recount life's cruelty and carnal indulgences and, more recently, increasingly take their inspiration from biblical themes. Despite their airy character and fervent choice of color, Tapiola infuses her contemporary works with a sense of antiquity with the twists of her brush and masterful command of line. Marjatta, your studio appears pretty bleak. All we can see is white walls and empty canvases. I just finished an exhibition in Helsinki.

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And it helps when my financial situation is stable and I don't find myself in troubles unexpectedly, fucking of young girls. Oil on canvas. Lately I was glad reading in the newspaper that Sigrid Schauman a 20th century Finnish-Swedish artist had her first exhibition at age

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Fucking of young girls

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I was deeply touched by the great masters who knew what they were doing! Looking at Caravaggio's Conversion on the Way to Damascus in Rome impacted me so deeply that I painted my own version of it. It's a total revamping! Despite their airy character and fervent choice of color, Tapiola infuses her contemporary works with a sense of antiquity with the twists of her brush and masterful command of line. I miss it. I also buy myself new heels. I work straight up to the exhibition. It was foolish to destroy it, and dreadful. So you follow your intuition when you work? Already the thought of asking someone to take a look at my work can open my eyes, while on the other hand it can be disastrous to share the art with someone.

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This new launch, which explores the physical and emotional concept of protection, is mainly composed of 15 unique pieces. In that sense it can be dangerous to have someone external look at an emerging body of work. Nowadays, I do have my routine. Lately I was glad reading in the newspaper that Sigrid Schauman a 20th century Finnish-Swedish artist had her first exhibition at age All I have left is a photograph of it. Venus as a Boy becomes a metaphor for the essence of the collection, as well as a reflection of the personal philosophy of Charaf Tajer. I also buy myself new heels. Life is a game and true love is a trophy. I was standing there completely alone. In these paintings you use bright orange and yellow whilst depicting brutal happenings from the Bible. With this latest collection, AVELLANO reaffirms its commitment to drama and innovation, promising a future rich with surprises and the continued evolution of its distinctive aesthetic. I have learned that when I have made a mistake I can get myself back on track. I usually don't let anyone see my work before an exhibition, except for perhaps a highly trusted colleague or a friend, which can be helpful when I feel stuck at some point.