Design ni dukan

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Design ni Dukaan, led by Principal Designer and Architect Veeram Shah, has launched five exclusive decor pieces that explore the abstraction of form and materials. Taking inspiration from art, literature, music, and colour, the pieces feature curves and contours informed by these diverse sources. The capsule collection features everyday objects that have been re-imagined and reinvented to challenge the way consumers interact with them on a functional and aesthetic level. From chairs and tables to accent pieces, these formerly utilitarian objects now occupy new forms where the material drives the flow of the design. This questions existing perceptions and stimulates new sentiments, creating a sense of individuality.

Design ni dukan

Veeram Shah: The clients had been following our work and liked our design aesthetic, and they contacted us directly. The client is a young entrepreneur who wanted an apartment for his wife and two children. Frequent family gatherings are an essential part of their life, so they needed a large dining and kitchen area with good storage space. They wanted a space that would reflect their simple, holistic way of living. They were open to experimenting with natural materials but wanted to incorporate the traditional principles of Vastu in every element of the square-metre apartment. We insisted on a few structural changes to clean up the space before putting the actual design on paper. We profiled each family member and their individual requirements, trying to understand their lifestyles and how we could enhance it through design. We wanted a distinct identity for each room, which was achieved by using specific materials suited to each family member. Our focus was to articulate simple materials in terms of proportion, form, detail, sections and shapes. As a studio, we focus on pushing the boundaries of simple materials while adhering to a modernist design aesthetic. For this project, we decided on a minimal materials palette of reclaimed teak, and brass and cane. For the in-between spaces where we needed light but to still maintain visual privacy, we used cane infill shutters and fluted glass partitions. We collaborated with a textile designer to create themes and a colour scheme for each room so that all the furnishings and upholstery would be in sync. Together, the woodwork and fabrics define the character of each room.

Himatnagar, India. Entangled Image: Courtesy Sarthak Mehta.

Text description provided by the architects. How does one design a formless house? This was the primary inquiry from which the conceptual foundation for the project was generated. This led to the designer questioning the very basis of built forms. This caused a shift in the designer's perception that resulted in an inside-out approach to the design, wherein the experience of space from within took precedence over the external form and a second skin wrapped around the structure, holding the separate parts together and defining a series of courtyards that are intrinsic to the experience of the house. The materiality of the enclosure was the product of a parallel inquiry into the logistics of construction in the remote, rural location. The client, who himself had gone from being a farmer to a successful businessman now returning to his roots, insisted on employing local labor so as an experiment a village contractor was asked to build a sample wall in concrete, and the outcome: an unpredictable but beautiful texture caused by the shifting and warping of unbolted wooden formwork; was fascinating.

The resulting architecture is designed as a sprawling collection of separate parts, all wrapped within a secondary concrete skin. With a background in farming, the client hoped to return to his roots and insisted on employing local labor. With its hilltop site and walled-off design, Design ni Dukaan notes that its Enclosure House takes on the expression of a citadel. The outer walls are comprised of four main surfaces — two curved and two straight — whose intersections are subtly overlapped or offset to create moments of entry. The main entrance canopy takes shape at the confluence of the two curving walls, guiding visitors inside from a threshold of raw concrete to interior spaces finished with clean, white plaster. Much of the house is expressed with a muted material palette of concrete, kota stone, white plaster, and wood.

Design ni dukan

Text description provided by the architects. How does one design a formless house? This was the primary inquiry from which the conceptual foundation for the project was generated. This led to the designer questioning the very basis of built forms. This caused a shift in the designer's perception that resulted in an inside-out approach to the design, wherein the experience of space from within took precedence over the external form and a second skin wrapped around the structure, holding the separate parts together and defining a series of courtyards that are intrinsic to the experience of the house.

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Prismatic flames with hues and bleeds of light invoke curiosity with their never-ending spectrum of colours. We profiled each family member and their individual requirements, trying to understand their lifestyles and how we could enhance it through design. City: Himatnagar. History of Architecture begins in the Neolithic period, roughly 10, years ago or at the time when people stopped living in cages and began constructing. Characterised by grey tones, a restrained material palette and natural finishes, this Ahmedabad apartment by local studio Designer's Circle is a cool, quiet escape in the city. Sign me up for the newsletter and promotional communications. Private: Essential only. Can you tell us about them and their lifestyle? Renamed post the historic events. This questions existing perceptions and stimulates new sentiments, creating a sense of individuality. The idiosyncratic pieces from the collection hold unique names— Monolith, Prismatic, Entangled, Embrace, and Diphanous , inspired by the emotions they evoke. Can we push a material to see it in a completely new light? Which of the pieces are custom designed? Taking inspiration from art, literature, music, and colour, the pieces feature curves and contours informed by these diverse sources. Since all the pieces were being made in different parts of the country, while in process and in conceptual stages I tried to see what it invoked in me.

Design ni Dukaan, led by designer Veeram Shah, redefines office spaces by embracing materiality as a pivotal design process.

This was a meditative process. Can we push a material to see it in a completely new light? Here studio founders Neesha Alwani and Shruti Jalan share more about the project. We profiled each family member and their individual requirements, trying to understand their lifestyles and how we could enhance it through design. Recognizing the need for. Which of the pieces are custom designed? Disrupted by several delays during Covid, it took them almost nine years to finish the project. Can you tell us about them and their lifestyle? Search Close this search box. Design Anthology : How did you first meet the client? Moreover, I firmly believe that the best practice for a country like ours is the balance of these two aspects of design. Prismatic flames with hues and bleeds of light invoke curiosity with their never-ending spectrum of colours. Each hidden nuance triggers a different functional element, co-existing as a new-age sculpture of interaction. For more detailed information please read our Privacy Policy. We use cookies and similar technologies, to help provide you with a better, faster, and safer experience while delivering content tailored to your interests.