Caro kann advance variation

The Caro Kann Defence is a defense to counter White when he plays 1.

The Caro—Kann Defence is a chess opening characterised by the moves:. It is classified as a Semi-Open Game , like the Sicilian Defence and French Defence , although it is thought to be more solid and less dynamic than either of those openings. It often leads to good endgames for Black, who has the better pawn structure. It allows Black to circumvent enormous bodies of theory in 1. Unlike its sister opening, the French Defence , the Caro—Kann does not hinder the development of Black's light-squared bishop. However, it comes at the cost of a tempo because Black has to play

Caro kann advance variation

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Kf2 Rxd1 The Hillbilly Attack, [10] [11] 1.

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The Caro Kann Defence is a defense to counter White when he plays 1. The whole premise of Caro Kann is based on the idea behind the French Defence: Black gets ready to support the The advantages of using the c-pawn instead of the e-pawn to support the pawn on d5 is. Black does not block the light-squared bishop on c8. Black cannot get his c6 pawn onto c5. The Caro—Kann Defence can be attacked in three different ways based on White's third move:. It is a solid defence for Black, who creates a pawn triangle in the center and gets rid of his potentially weak bishop.

Caro kann advance variation

It often leads to solid positions where both sides try to outplay each other strategically. Caro-Kann Defense took its name from two expert players who analyzed this opening in the s. Since then, it has been used as a weapon from the Black side to avoid any complications other lines could present. Nowadays, every top player knows how to play the most profound variations and employs this fierce weapon from time to time. Caro-Kann Defense is considered easy to learn , making it a good tool for beginners. Caro-Kann Defense is known for its solid and positional nature. This allows both players to get out of the opening stage safely and show their expertise in terms of pawn structures and pawn breaks. The possible endgames can be a real battle due to the lack of symmetry in the pawn structure. Then, they want to double the Rooks over the backward pawns. White typically aims to launch a Kingside attack and dominate the center.

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If White puts his Bishop on d3, take it! Nd7 is to ease development by the early exchange of a pair of knights without compromising the structural integrity of Black's position. Ke2 Rc1 This system often leads to typical isolated queen's pawn IQP positions, with White obtaining rapid development, a grip on e5, and kingside attacking chances to compensate for the long-term structural weakness of the isolated d4-pawn. Marcus Kann, Hamburg Chessgames. Joseph Fang, Foxwoods Open 1. This so-called 'Twisted Fantasy Variation' aims to exploit White's weaknesses on the a7—g1 diagonal, an idea similar to This variation, originated by Bukhuti Gurgenidze , led to a rise in the popularity of 3. Bd3 to prevent Nf6 8. White can combat the Caro—Kann in several different ways, often gaining a space advantage; additionally, Black has less mobility and can lag in development.

The Caro-Kann Defense is known above all for its solidity. The defining move, It prepares for

In the 21st century, grandmasters Vladislav Artemiev and Alireza Firouzja use the opening with regularity, while Ding Liren and Hikaru Nakamura use it on occasion. Unlike its sister opening, the French Defence , the Caro—Kann does not hinder the development of Black's light-squared bishop. White should castle Kingside to protect his King. Please help improve this article by adding citations to reliable sources. Nd2 , 3. White wants to move his e4 pawn forward to e5, to gain central space and more mobility for his pieces. It was used by Mikhail Botvinnik in his match versus Mikhail Tal though with a negative outcome for Botvinnik — two draws and a loss. Qh5 g6 7. Rxd4 Nxe5 Rxd5 Qe6 Tools Tools. This can transpose to the Panov—Botvinnik B14, given above, with 3. Archived from the original on Variations with Black castling queenside gave the Caro—Kann its reputation of being solid but somewhat boring. This variation sets a trap: playing along the lines of the Classical Variation gets Black in trouble after