Canon powershot sx50 hs lenses

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Photo Review. Buy this camera if: — You want a super-zoom that can record raw files and provides most of the controls and functions offered in serious DSLR cameras. Offering 50x optical zooming, it retains the Source: Canon. The zoom is powered and driven by a conventional lever surrounding the shutter button, making it straightforward to operate. The 4.

Canon powershot sx50 hs lenses

Of course such a lens for a DSLR would be very large, very heavy and very expensive - if it could be built at all. They've been around on consumer video cameras for a while. The trick is, of course, that they aren't actually mm lenses. They are mm "35mm equivalent" lenses in that they provide the same angle of view or "reach" or "magnification" as a lens of that focal length range mounted on a camera with a 24mmx36mm sensor. That makes the lens much more practical to make. It can even be made small, light and fairly inexpensive. Of course the question is can it also be made reasonably sharp - and the answer, as we will see, is yes it can. The lens is not interchangeable, though with a range from 24mm to mm there's really no reason why it should be. The sensor is small, which makes the camera and lens small. It also places some limts on performance as we will see later. As a bridge camera the SX50 HS offers more features than found on smaller and less expensive digicams. It offers more user controlled options for those who want to access its full capabilities, as well as many fully auto and scene modes for the less experienced photographer. While it won't fit in your pocket at 4.

To do so would require too much space. Shooting modes are largely unchanged since the SX40 HS, although the Portrait and Landscape modes are now included in the Scene pre-sets and the Portrait setting gains a Soft Skin option.

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Canon powershot sx50 hs lenses

Our expert, award-winning staff selects the products we cover and rigorously researches and tests our top picks. If you buy through our links, we may get a commission. Reviews ethics statement. The SX50 HS packs one of the longest zoom lenses currently available and has some very good photo quality to back it up. That's an extraordinary range that is quite capable of pulling into frame something miles away and snapping a shot.

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The Display button is what's used to move back and forth from the 2. That's actually what Canon claim and their claim appears to be valid in my experience. Video quality was similar to the clips we shot with the SX40 HS, although the soundtracks were slightly clearer, thanks to stereo recording and the ability to control recording levels in the camera. The C1 and C2 dial positions can be customized by the user. Frame rate is slower when shooting multiple images in singe shot mode, since the SX50 HS won't shoot another frame until the first one has been written to the memory card. The IS system is a hybrid system with smarts. Until we're finished refining our procedures, we will not be posting comparative performance charts. Mobile banner. On average you can shoot about 1 JPEG every 2 seconds in single shot mode, so continuous mode is about 4x faster. Images do get softer and noisier above ISO -- typical for point-and-shoots -- but ISO and are still usable. Remember these are images with no noise reduction applied. Still missing is an easy panorama mode, an option found on most CMOS-sensor-based point-and-shoots and smartphones, which makes it all the more ridiculous that Canon doesn't have it yet.

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Image cropped and downsized. Noise at is still pretty well controlled and even ISO isn't that bad. While the lens isn't perfect, it's actually much better than I had expected it to be and it's very usable indeed at mm. What's worse is that there are some modes that use the Display button to access secondary functions, so if you're in one of those and want to switch from the LCD or EVF, you have to leave the shooting mode you're in first. Latest news, reviews, tips, special offers, and new ways to improve and inspire your photography. A couple of things about the design of the controls might make shooting frustrating for some users. The dial is set a bit too low, which can make it difficult to move. As in previous SX-series models, autofocusing and zooming are driven by ultrasonic motor USM and voice coil VCM motor technologies, which provide smooth transitions between focal lengths and fast and quiet autofocusing. In anything less than bright sunlight, obtaining acceptable sharpness is problematic, partly because images become progressively softer as sensitivity is increased but also because even the sophisticated image stabilisation struggles to counteract camera shake. Both brightness and RGB histograms are available in playback mode. The review camera performed well when presented with strong backlighting, provided the light source was out of the frame. Exposure accuracy was generally good, but like many small sensor digicams the SX50 HS does have a slight tendency to blow out highlights on high contrast scenes shot in bright sunlight. For those times when you want the camera to do the thinking there is a very reliable full-auto mode, and there are stock scene modes like Portrait, Landscape, and Fireworks. OK, that last one's a bit of an exaggeration, but you get the idea.